IX wiek, średniowieczna Persja. Główny bohater, młody książę (Jake Gyllenhaal) zawiera porozumienie z tajemniczą księżniczką i razem wyruszają na wyprawę przeciwko złym siłom. Muszą powstrzymać tajemne moce i ocalić magiczny sztylet, uwalniający Piaski Czasu. Jest to podarunek od bogów, który może odwrócić czas i zapewnić swojemu właścicielowi władzę nad światem.
Jake Gyllenhaal's doe eyes and bulging biceps will make some hearts flutter in Prince of Persia: The Sands of Time. Dastan (Gyllenhaal), adopted prince of the Persian empire, must flee into the desert when accused of murdering his royal father--but a glass-handled dagger he found as loot from a captured city turns out to hold powerful time-manipulating magic. Not only is he pursued by his vengeful brothers, his scheming uncle (Ben Kingsley, Sexy Beast), and a strange cabal of assassins, but a princess/priestess named Tamina (Gemma Arterton, Quantum of Solace) wants the dagger back and will kill Dastan if she has to. Prince of Persia wants to be a rollicking adventure along the lines of Pirates of the Caribbean. Unfortunately, it's hampered by clumsy dialogue and hard-to-follow action sequences, with choppy editing that wrecks the flow of the parkour-inspired stunts. But the production design is extravagant and every time Alfred Molina (Spiderman 2) appears as a greedy sheik the movie gets a delightful jolt of energy. Gyllenhaal doesn't have much to work with--Dastan is a fairly generic hero--and whoever designed his hair should have been fired on the first day, but his lazy charm comes through and carries him through the movie. --Bret Fetzer
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