Journey to the Center of the Earth
When a seismic geologist (Brendan Fraser) discovers his lost brother's notes in a copy of the titular Jules Verne novel, he and his nephew (Josh Hutcherson, Bridge to Terabithia, Zathura) head to Iceland. There, joined by a fetching mountain guide (played by Icelandic actress Anita Briem), they get trapped in a cavern and go down, down, down, finally arriving in a primeval underworld full of prehistoric beasts and carnivorous plants. It would be pointless to complain about the empty-headedness of it all; Journey to the Center of the Earth aspires to be a kinesthetic experience. It wants to engage your adrenal glands, not your brain or your heart (the dialogue and characters are so generic, the script may have been cut-and-pasted from previous versions of Verne's book). Fraser, with his goofy handsomeness and accessible presence, provides a reasonably human axis around which all the frantic flying and swooping CGI effects revolve. The movie is as hollow as the world it depicts, but as mindless action movies go, you could do a lot worse. (Note: Journey to the Center of the Earth was released in theaters in 3-D, full of whizz-bang demonstrations of how far 3-D technology had come--trilobite antennae quivering towards the audience, a T-rex lunging out of the frame, even affable star Brendan Fraser spitting on us--as well as a half-dozen action sequences clearly destined to become video games or theme park rides.) --Bret Fetzer

Inkheart
"I prefer a story that has the good sense to stay on the page--where it belongs!" declares Elinor Loredan (Helen Mirren, in fine upper-crust form) in Inkheart, a rollicking adventure that appeals to adults as well as tweens and teens. But if Elinor got what she wanted, viewers would not--for the delicious premise of the film (based on Cornelia Funke's best-selling novel is that book lover Mo Folchart (Brendan Fraser) has discovered a way to bring book characters to life. That means that adorable Toto from The Wizard of Oz is suddenly yapping under Mo's daughter Meggie's (Eliza Bennett) bed. But it also means that somewhere, a real person or thing has been sucked into the book world--battling flying monkeys and evildoers that suddenly are real threats. The film is crisply directed by Iain Softley, and Fraser and his costars (including Mirren, Paul Bettany, and Jim Broadbent) are worthy, watchable characters who appear to be having as much fun as the audience. And the film's pro-book message will please young book readers, and their parents, who know that a good adventure in one's imagination can never be rivaled by anything on any screen, of any size. --A.T. Hurley

City of Ember
Light bulbs speckle the sky instead of stars in City of Ember, a fantasy in which a secret city has been built to preserve mankind from worldwide disaster. But over time, the purpose of the city is lost--and the city gradually decays. As power failures threaten to bring on the collapse of everything, young messenger Lina Mayfleet (Saoirse Ronan, Atonement) discovers damaged instructions for leaving the city. Her friend, pipeworker Doon Harrow (Harry Treadaway, Brothers of the Head), helps her find the hidden mechanisms that will let everyone escape...but the city's corrupt Mayor (Bill Murray) is more interested in personal gain and tries to stop Lina. City of Ember begins marvelously; the story unfolds smoothly, the production design is rich and engaging, the young leads are charming (Ronan is particularly good), and Murray is as superb as ever. Unfortunately, the movie starts to stumble; some plot turns are baffling (there seems to be some connective tissue left on the cutting room floor) and what should be an action climax flounders with subpar special effects. But even when the movie loses its sure-footedness, there are delightful moments and visual wonders. The strong supporting cast includes Tim Robbins, Mary Kay Place (Sweet Home Alabama), Mackenzie Crook (The Office), Toby Jones (Infamous), and Marianne Jean-Baptiste (Secrets & Lies). --Bret Fetzer