Jest rok 117 naszej ery. Legiony Cesarstwa Rzymskiego mieczem i krwią budują chwałę Imperium. Pod ich panowaniem znajduje się ogromna część Europy. Także Brytania uległa rzymskim wojownikom. Jednak jej północne rubieże pozostają pod władaniem lokalnych plemion, które dają najeźdźcy krwawy opór. Niezależność ziem leżących na północ od Muru Hadriana jest solą w oku władz Imperium. Powtarzające się śmiałe ataki na rzymskie forty drażnią dumę rzymskich dowódców i wyczerpują ich cierpliwość. IX Legion pod wodzą nieustraszonego generała Virilusa otrzymuje rozkaz przekroczenia Muru i rozniesienia na ostrzach mieczy wszystkich, którzy nie godzą się z nową władzą. Jednak nikt nie wie, co czeka po drugiej stronie. Wkrótce rzeczywistość okaże się okrutniejsza niż najczarniejsze proroctwa.
Centurion
Centurion isn't just a rousing adventure, but a return to form for The Descent director Neil Marshall after the disappointing Doomsday. Irish actor Michael Fassbender (Inglourious Basterds) plays Quintus Dias, a Roman soldier attempting to defend the Empire against Northern England's indigenous Pict population, when they take him captive. Once General Virilus (The Wire's Dominic West), who inspires fierce devotion in his men, gets wind of the skirmish, he sets out to vanquish opposition leader Gorlacon (Ulrich Thomsen) with the aid of Etain (Quantum of Solace's Olga Kurylenko), a mute tracker. Though his Ninth Legion, which includes Bothos (David Morrissey) and Brick (Liam Cunningham, Fassbender's Hunger costar), tracks down Quintus, the Picts slaughter most other comrades and seize Virilus, shifting the battle for conquest into a struggle for survival, a Marshall specialty since Dog Soldiers. Only Arianne (Solitary Man's Imogen Poots), a medicine woman who treats Bothos's wounds, arrives as a light in the darkness, holding out the promise of romance should Quintus make it out of Pict territory alive. Though Centurion isn't a world away from historical epics like Braveheart and Gladiator--and succumbs to some of the same genre clichés--Marshall conjures up more of a Western feel with the Romans standing in for cowboys and the Picts for Indians. There's carnage aplenty, but also stunning Highland vistas in shades of emerald and teal. And though Fassbender is a fine actor, West and Kurylenko end up stealing the show by virtue of their more dynamic performances. --Kathleen C. Fennessy
Pathfinder
Pathfinder is a curious, cross-genre movie with elements of horror, sword-clanging fantasy, historical fiction, and Native American mysticism. A classic story of an outsider-hero, Pathfinder is set approximately five centuries before the arrival of Columbus in the New World, a time when Vikings were claiming real estate in Greenland and eastern North America. A young Norse boy is abandoned by his disapproving, conqueror-father and adopted by an aboriginal tribe. He grows up to become Ghost (Karl Urban), almost-but-not-entirely accepted by natives, yet a fierce swordsman and defender of Indians after a terrible assault on those whom he loves best. Clancy Brown (The Shawshank Redemption) plays the fiercest of the invaders, a merciless leader who tangles with Ghost’s inherent prowess as a fighter, and engages in a psychological as well as physical struggle with him in the film’s final third, which involves a harrowing journey through an avalanche-prone mountain path. Russell Means (The Last of the Mohicans) is a typically comforting presence as the all-wise Pathfinder, leader of a tribal nation and Ghost’s supporter, while Moon Bloodgood (Eight Below) is outstanding as a love interest with nerves of steel. Marcus Nispel (who directed the 2003 remake of The Texas Chainsaw Massacre) guides the brutal if often exhilarating action as if it were amplified history. He makes the point for a contemporary audience that Vikings were as terrifying a danger to those whom they conquered as, say, Klingons are in Star Trek--precisely by making his Vikings seem so reminiscent of Klingons. --Tom Keogh
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