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ZOUNDS Redemption Of Zounds LP FOLIA!

23-06-2015, 1:04
Aukcja w czasie sprawdzania nie była zakończona.
Cena kup teraz: 69.99 zł     
Użytkownik hcpunk
numer aukcji: 5119127424
Miejscowość Górny Śląsk
Wyświetleń: 22   

Dodatkowe informacje:
Rok wydania (1900 - 2050): 2011
Stan: Nowy
Rozmiar płyty: 12 cali
Obroty: 33 rpm
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ZOUNDS

"Redemption Of Zounds" LP

 

 

 

 

 

 

 

  
 

 ZOUNDS- legenda peace punka- London

Zounds powstali w 1978 roku w południowym Londynie. Wraz z Crassem należeli do czołówki anarchistycznego peace-punka. Ich pierwszy singiel "Can't Cheat A Karma" wydal wlaśnie Crass Records. W Polsce natomiast Antena Krzyku wydala reedycję płyty "The Course Of Zounds" z której to utwór "Subvert" coverował kiedyś Post Regiment.



Zounds are an English anarchist band formed in 1977 from loose jamming sessions around the Reading area. Originally they were part of the cassette culture movement, releasing material on the Fuck Off Records label, and were also involved in the squatting and free festival scene. The name of the band is derived from the old English minced oath coined by William Shakespeare: "zounds", which is a contraction of "God's wounds", referring to the crucifixion wounds of Jesus Christ, formerly used as a mildly blasphemous oath.


The band were formed around the nucleus of Steve Lake from Reading, Berkshire and evolved from a number of jamming sessions with other musicians and friends in Oxford, taking in influences from the Velvet Underground to the Sex Pistols. The band began performing gigs in 1977/78 with a line-up of Steve Lake (Vocals/Bass), Steve Burch (Guitar) and Jimmy Lacey (Drums), adding Nick Godwin (guitar)[1] at their second gig - adopting the name 'Zounds', chosen from a dictionary by Burch. Soon, Burch left the group and was replaced by Lawrence Wood. After this the band slowly became more politicized owing to troubles with police and unfolding events of the cold war, and became more and more involved with free festivals, alongside The Mob, with whom they developed a close association.

The band met up with fellow anarchists Crass when, legend has it, their van broke down on the road. They made their way to nearby Dial House, where Crass were based, who helped them with repairs. The two bands became friends, and although musically very divergent, they shared many common political views. After undergoing several line-up changes Zounds shortly afterwards released their first EP, Can't Cheat Karma, on the Crass Records label (although drummer Joseph was replaced for the recording by a session drummer) in 1981. The EP featured possibly their most well-known track "Subvert", a call to arms against the grind of daily life. The release of this EP and association with Crass led to an increase in the band's profile in the embryonic Anarcho-punk scene, touring with both Crass and the Poison Girls, as well as performing several squat gigs in West Berlin.

The band released their first album The Curse of Zounds on Rough Trade Records in 1981, recording and mixing the LP within five days. The cover art, by anarchist artist Clifford Harper, featured a painting of fire fighters apparently trying to put out a blaze at the Houses of Parliament in Westminster. However, the picture continued onto the back cover, which showed that in fact they are spraying the fire with petrol, thus feeding it. The band released three more singles on Rough Trade, Demystification (a psychedelia-influenced track backed with "Great White Hunter"), Dancing and More Trouble Coming Every Day, as well Le Vache Qui Rit (initially intended for a split EP with The Mob for an anti-draft benefit in Belgium).

The band split up in late 1982, Steve Lake disaffected with the Anarchist music scene in general and the band worn out from touring. Bass player and vocalist Steve Lake and guitarist Laurence Wood continued to work together for a while as The World Service with original Zounds member Nick Godwin, whilst drummer Josef Porta went on to join the The Mob and later Blyth Power. Lake continued work as a solo artist recording two albums with Nick Godwin and Brian Pugsley. Zounds occasionally reform for benefit gigs with a line-up augmented by Protag (formerly of Instant Automatons, Alternative TV and Blyth Power) and drummer Stick (previously of DIRT, Doom and Extreme Noise Terror). A remixed version of the bands song "This Land" was released in 2001 as a CD single benefit for the McLibel support campaign. In 2005 the Go All The Way EP was released with tracks from an aborted second album, with tracks commenting on the USA's War on Terror.

In 2007 Zounds reformed. Steve Lake recruited Paul O'Donnell (bass) and Paul Gilbert (drums) from The Evil Presleys, a "primal rock n roll" band that they were in together (with guitarist Andy Parker). The reformed Zounds then played sporadic gigs over the next two years including "The Feeding of the 5000" at Shepherd's Bush Empire in London and the Carling Academy, Birmingham (both with guitarist Dominic Dominion).

In 2010 the band began playing more extensively across the UK and Europe, completing two short European tours: the first was for a week in April (Holland and Belgium) and the second was from 17 September to 3 October mainly in Germany, plus gigs in Holland, Poland and Italy.

They have now completed a new album, The Redemption of Zounds, which was available on vinyl in the US on Brokenrekids from Sept 2011.

 

 

 

 




Lista kawałków:



A1         Cry Genie Cry        
A2         Supermarche        
A3         Make Love Not War        
A4         Another Roadside Attraction        
A5         What Makes A Man A Man Today
       
B1         What Is It Worth        
B2         Damage        
B3         Follow The Money        
B4         Deportee        
B5         Waiting For The Clampdown Honey


An early signing of the influential Rough Trade label, anarchist outfit Zounds may have only released one studio album (1981's The Curse of Zounds), but their D.I.Y. sound and strong political messages left a legacy within the post-punk community that extended far beyond their brief five-year career. Three decades on from what's considered one of the genre's most inspirational records, and four years after re-forming for various live performances, reclusive vocalist Steve Lake returns to the studio, (alongside the Evil Presleys' bassist Paul O'Donnell and drummer Paul Gilbert) for their rather belated sophomore album, The Redemption of Zounds. From the Bowie-aping riffs and soul-searching lyrics "(I still don't know what I'm supposed to be") of opening track "Cry Genie Cry," to the Jam-esque new wave of closer "Waiting for the Clampdown Honey," it appears that despite the new lineup and 30-year time difference, not much has changed, as the trio rip-roar their way through ten new tracks packed full of primitive rhythms, spiky guitars, and rabble-rousing melodies, such as the "whoa-whoa" chorus of "Supermarche," the pogo-inducing "Damage," and the chugging pub rock of "Another Roadside Attraction." Lake's drunken drawl remains as charmingly amateurish as ever, as he struggles to keep in tune on the harmony-led indie rock of "What Is It Worth?" and the rather simplistic themes of "Make Love Not War," while the muddy, live-sounding production echoes the claustrophobic nature of their debut. With any music from the past two generations apparently passing them by, The Redemption of Zounds is a little too archaic to draw any new converts in, but while it's not exactly been worth the 30-year wait, it's a refreshing, back to basics affair which should feed into the nostalgia of those who grew up within the cassette culture era.

   

 

 


 

Płyta jest nowa, nie odtwarzana, nie słuchana! Oryginalnie zafoliowana! Polecam!

 
 

 

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ZOUNDS Redemption Of Zounds LP  FOLIA!


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