Wejścia hi/low - EQ: Bass, Middle, Treble
- Gain i Master Volume - Wyjście liniowe (tylni panel)
- 12W RMS - Celestion G10D-2
Greater distortion at low volumes was also the goal of one of the most interesting amps Marshall released in the early ’80s – the model 5005 Lead 12.
A 12-watt transistor practice amp with a 10″ Celestion, it retailed for under $200 and for many came surprisingly close to capturing the great, warm sound of the distorted Marshall amps of years gone by. It was a favorite of many working musicians, including luminaries like Billy Gibbons of ZZ Top.
The Lead 12 proved to be enough of a hit with consumers that Marshall has continued to make transistor mini-amps. The ’80s and early ’90s saw the introduction of the tiny one-watt MS-2, the popular 3005 solidstate Micro-Stack (based on the 5005), and the 10-watt 8001 Valvestate Micro-Stack (part of a series of Marshall amps launched in ’91 where all models with 40 watts or more used a 12AX7 tube in their preamps, to drive a solidstate power stage designed to sound and feel like an all-tube power amp), as well as numerous more high-powered combo amps, and even separate transistorized heads.
Recenzja:
http://forum.magazyngitarzysta.pl/viewtopic.php?f=62&t=39189
" w dziedzinie tranzystorowych wzmaków ćwiczebnych do brzmień lekko-średnich Lead 12 bije konkurencje na głowę nie tylko brzmieniem ale i jakością wykonania."
" Jako rekomendację mogę polecić iż ze wzmacniacza korzystał ZZ-Top w nagraniu "My Head's In Mississippi", korzystała z niego też (w celach treningowych) Metallica"
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