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BARDZO PIĘKNA KOBALTOWA PORCELANA VOLKSTAEDT CZERY WAZONY I PATERKA.
1. PIĘKNA PROSTOKĄTNA PATERKA VOLKSTAEDT - KOBALT I ZŁOTO
LATA 70 TE- BOGATO ZŁOCONA- ZŁOCENIA Z CUDOWNĄ PATYNĄ STAREGO ZŁOTA - CIEKAWA NOWOCZESNA DEKORACJA Z KROPELKAMI BLEKITNEJ FARBY NA ATRAMENTOWYM KOBALCIE- I DO TEGO PIONOWE LINIE PRZECINAJACE SZERSZĄ POZIOMĄ LINIE O ZMIENIAJĄCEJ SIE GRUBOŚCI.... MI KOJARZY SIĘ Z USTAWIONYMI NA SPOKOJNEJ WODZIE SIECIAMI RYBACKIMI W KTÓRYCH ODBIJA SIE ŚWIATŁO KSIĘZYCA... STAN IDEALNY- PIEKNY PREZENT. SŁODYCZE PODANE NA TEJ PATERCE- OLIWKI KAWIOR... BĘDĄ W BARDZO ELEGANCKIEJ ZLOTEJ OPRAWIE. DOSKONAŁY PREZENT!!!
WYMIARY: WYSOKOŚĆ 2,5 CM SZEROKOŚĆ 12,7 CM DŁUGOŚĆ 18,4 CM
2. Wazon z rączką – smukły piękne proporcje- podobna dekoracja jak na paterce- piekne złocenie – patyna starego złota – białe wypukłe kropeczki – jak na porcelanie z XIXw. – ręczna robota – wyjątkowo piękny!!! Wysokość 22 cm średnica 7 cm od dzióbka do uchwytu 7,7 cm- stan idealny sygnatura Handmalerei Echt Kobalt –
3. Wazonik pękaty na małe kwiaty – ten sam dekor – taka sama sygnatura – minimalny odprysk pod kołnierzem- niewidoczny- piękna porcelana – wysokość 8,5 cm średnica 6 cm
4. Wazonik smukły – ta sama sygnatura – ten sam dekor – wysokość 10,5 cm średnica 5,3 cm- stan idealny
5. PIĘKNY RĘCZNIE ZŁOCONY KOBALTOWY WAZON NA RÓŻĘ VOLKSTAEDT - KOBALT I ZŁOTO
LATA 70 TE- CIEKAWIE ZŁOCONY- ZŁOCENIA Z CUDOWNĄ PATYNĄ STAREGO ZŁOTA - BARDZO MODNY DEKOR- SZTUCZNE OGNIE- ROZŚWIETLAJĄ CIEMNOGRANTAOWE NIEBO ....NA ATRAMENTOWYM KOBALCIE- ŁADNIE ZŁOCONY BRZEG KOŁNIERZA- DOSKONAŁA CIENKOŚCIENNA BIAŁA PORCELANA - BARDZO ELEGANCKI DOSKONAŁY PREZENT!!!
WYMIARY: WYSOKOŚĆ 23,5 CM ŚREDNICA PODSTAWY 7 CM SREDNICA KOŁNIERZA 3 CM
Każde pomieszczenie gdzie umieśmy tę porcelanę- zyska miejsca w których bnasze oczy ogrzeją się ciepłem starego złota- i głębią atramentowego granatu – każdy kwiat w oprawie kobaltowo złotej – wygląda niezwykle kolorowo – oszczędna forma- pasuje do naszych minimalistycznych nowoczesnych kuchni. Polecam!!! Doskonały prezent.
Świetna stara fabryka...
Volkstedt Porcelain has enjoyed a long history as it was located in the heart of Germany. The Volkstedt, as well as the Dresden and Meissen areas of Germany, are known for their almost translucent hard paste porcelain.
Volkstedt porcelain, located in the Thuringian region of Germany, was the site of the first factory to manufacture porcelain within the Schwarzburg-Rudolstadt principality. The Volkstedt porcelain factory came about when Georg Heinrich Macheleid approached Johann Friedrich von Schwarzburg-Rudolstadt, the Prince of Schwarzburg-Rudolstadt.. Macheleid wanted the right to have the only porcelain factory in the prince's domain.
Prince von Schwarzburg granted Macheleid permission in 1760 to open the Volkstedt porcelain factory. This permission ensured Macheleid access to an array of privileges. These privileges included a supply of firewood and the right to have access to the food sources and spirits they deemed necessary in order to manufacture the Volkstedt porcelain. In addition, there were no taxes for at least four years and only limited oversight. This arrangement was to continue until someone else was able to make a better porcelain than Macheleid..
By 1764, Macheleid was no longer a principal player at the Volkstedt porcelain factory although he was involved in a lesser fashion for the next twenty years. In 1767, the shareholders of Volkstedt Porcelain chose Christian Nonne to lease the factory to due to difficulties in the past few years.
Also in 1767, when Prince Ludwig Gunther II became the successor to the throne upon Prince Johann Friedrich's death, he became a shareholder in the Volkstedt Porcelain factory along with his wife Sophie Henriette. At that time, Prince Ludwig Gunther ruled that whomever was the current prince shall be a shareholder of the Volkstedt porcelain factory. In addition, he extended the exclusive privileges the factory of Volkstedt porcelain had previously enjoyed in Schwarzburg-Rudolstadt.
The Volkstedt Porcelain factory produced a wide array of fine porcelain wares. These included candlesticks, steins, buttons, medals, and butter boxes to name just a few of their offerings. The Volkstedt porcelain factory is probably most famous, however, for its intricately detailed figurines. These figurines were often of women and men of nobility going about activities such as playing musical instruments, reading, courtship, and dancing.
Using lace dipped in porcelain paste and kiln baked so that the cotton lace burned away was a popular technique used at the factory of Volkstedt porcelain. This process left a porcelain lace behind that was very delicate and fragile. With the proper care, however, this lace can last for generations.
The factory of Volkstedt porcelain was fortunate in that the raw materials for the manufacture of their porcelain products were able to be obtained locally. The porcelain soil came from Gabersdorf which is near Graefenthal. A specialized type of clay called kapselton was found in the Coburg area. The sand that was necessary for the production of Volkstedt Porcelain was obtained from the Koenigssee and Rudolstadt regions.
Around 1832, the Volkstedt Porcelain factory ceased to enjoy the protection of exclusivity afforded the factory in previous years by the reigning prince of Schwarzburg-Rudolstadt. This enabled other porcelain factories to move into the area. As the 19th century turned into the 20th century, the Volkstedt Porcelain factory was merged with a factory called Porzellanfabrik Unterweibach A.G. This stock corporation was owned by Max Adolf Pfeiffer.
The history of Volkstedt porcelain dates to 1760 in Thuringia, Germany, when an entrepreneur by the name of Georg Heinrich Macheleid approached the Prince of Schwarzburg-Rudolstadt. Macheleid requested the exclusive privilege to build a porcelain factory within his principality. The prince, Johann Friedrich, agreed to Macheleid's request with one condition: his exclusive right to produce porcelain in the principality would be maintained so long as no one else in the region was able to verifiably produce a superior product. In exchange, the deal assured Macheleid's factory a constant supply of firewood, tax exemption for four years, low jurisdiction for the factory, religious freedom, and the right to produce all the food the factory would need within its own grounds. Essentially, the porcelain factory quickly became self-sustaining, a village unto itself. In addition, all the materials needed to produce the porcelain could be obtained from nearby regions. These included sand from Rudostaldt, Kapselton-a special type of clay used by the factory-from Coburg, and porcelain mass and glaze from Sitzendorf. To view Volkstedt porcelain marks, click here.
While the early years were difficult for the Volkstedt porcelain factory, by the late 18th century the company was producing a high volume of merchandise that earned it renown throughout Europe. The Volkstedt factory produced everything from porcelain dinnerware, vases, candlesticks, basins, boxes, and of course, figurines. A catalogue of 1795 claimed to offer 90 different types of figurines. By the mid-nineteenth century, the Volkstedt factory began producing the famous lace figurines. Also known as "Dresden lace," the effect was accomplished when real cotton lace was dipped in soft paste porcelain and then fired. The fabric burned away, leaving a fragile porcelain "lace" shell that, though delicate, could withstand the test of time given proper care. A number of fine examples of these porcelain lace products, including the famous Volkstedt lace ballerinas, can be found among our collection.
The exclusive privilege of this original Volkstedt factory was revoked in 1832, opening the way for smaller porcelain workshops to be opened in the region. One example was the operation begun by Anton Müller. His porcelain lace figurines gained immediate renown. His pieces can be identified by his stamp trademark: the crown over the letters 'MV," which stands for Müller - Volkstedt. By the late 1930's his operation had blossomed and was exporting worldwide, along with the older Volkstedt factory, which continues production to this day.
Müller - Volkstedt encountered more difficulties in the 20th century than the older factory, however. The factory was completely destroyed during the allied bombings of World War II. Although Anton Müller himself died at this time, his niece Johanna Saar was able to salvage some of the old master moulds and rebuilt the factory in 1945. The Saar family eventually moved the operation to Ireland, and the factory currently known as 'Irish Dresden" was opened in Dromcolliher, Limerick, and continues to operate to the present day.
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