A young, inexperienced governess is charged with the
care of Miles and Flora, two small children abandoned by
their uncles at his grand country house. She sees the
figure of an unknown man on the tower and his face at
the window. It is Peter Quint, the master's dissolute
valet, and he has come for little Miles. But Peter Quint
is dead. Like the other tales collected here - 'Sir
Edmund Orme', 'Owen Wingrave', and 'The Friends of the
Friends' - 'The Turn of the Screw' is to all immediate
appearances a ghost story. But are the appearances what
they seem? Is what appears to the governess a ghost or a
hallucination? Who else sees what she sees? The reader
may wonder whether the children are victims of
corruption from beyond the grave, or victims of the
governess's 'infernal imagination', which torments but
also entrals her? 'The Turn of the Screw' is probably
the most famous, certainly the most eerily equivocal, of
all ghostly tales. Is it a subtle, self-conscious
exploration of the haunted house of Victorian culture,
filled with echoes of sexual and social unease? Or is it
simply, 'the most hopelessly evil story that we have
ever read'?The texts are those of the New York Edition,
with a new Introduction and Notes. ABOUT THE SERIES: For
over 100 years Oxford World's Classics has made
available the widest range of literature from around the
globe. Each affordable volume reflects Oxford's
commitment to scholarship, providing the most accurate
text plus a wealth of other valuable features, including
expert introductions by leading authorities, helpful
notes to clarify the text, up-to-date bibliographies for
further study, and much more. |
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