When Harriet Monroe founded ''Poetry'' magazine in
Chicago in 1912, she began with an image: the ''Open
Door''. ''May the great poet we are looking for never
find it shut, or half-shut, against his ample genius!''
For a century, the most important and enduring poets
have walked through that door - William Carlos Williams
and Wallace Stevens in its first years, Rae Armantrout
and Kay Ryan in 2011. And at the same time, ''Poetry''
continues to discover the new voices who will be read a
century from now. ''Poetry's'' archives are
incomparable, and to celebrate the magazine's
centennial, editors Don Share and Christian Wiman combed
them to create a new kind of anthology, energized by the
self-imposed limitation to one hundred poems. Rather
than attempting to be exhaustive or definitive - or even
to offer the most familiar works - they have assembled a
collection of poems that, in their juxtaposition, echo
across a century of poetry.Adrienne Rich appears
alongside Charles Bukowski; poems by Isaac Rosenberg and
Randall Jarrell on the two world wars flank a
devastating Vietnam War poem by the lesser-known George
Starbuck; August Kleinzahler's ''The Hereafter''
precedes ''Prufrock,'' casting Eliot's masterpiece in a
new light. Short extracts from ''Poetry's'' letters and
criticism punctuate the verse selections, hinting at
themes and threads and serving as guides, interlocutors,
or dissenting voices. The resulting volume is an
anthology like no other, a celebration of idiosyncrasy
and invention, a vital monument to an institution that
refuses to be static, and, most of all, a book that
lovers of poetry will devour, debate, and keep close at
hand. |
|