Tytuł:
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Ballroom Dancing
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Autor:
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Alex Moore
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Wydanie:
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London, brak roku wydania, prawdopodobnie
przedwojenne
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Stron:
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336
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Stan:
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Bardzo dobry, oprawa twarda, szyta,
płócienna, obwoluta, diagramy kroków
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Wymiary:
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12,5 x 19 cm
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Płatność: przelew bankowy
bezpośrednio na moje na konto
43 2490 [zasłonięte] 0[zasłonięte]0050000 [zasłonięte] 434336 (Alior Bank S.A.)
Dostawa: list polecony, koszt wysyłki 9 zł.
CONTENTS
PAGE
FOREWORD BY PHILIP
J. S. RICHARDSON . . vii
PREFACE TO
THE SIXTH EDITION . .IX
PREFACE TO THE
FIRST EDITION . . IX
INTRODUCTORY
SECTION . i
Suggested Method of
Approach by the Novice, the Competition Dancer and Keen Amateur, the Student
(p. 2)—The Hold (p. 6)—The Poise, Balance and General Outline of the Walk (p.
9)—Contrary Body Movement, Contrary Body Movement Position (p. 15)—Footwork (p.
17)—Rise and Fall (p. 20)—Amount of Turn (p. 25)—Alignment (p. 26)— Body Sways
(p. 27)—Leading and Following (p. 28)— Abbreviations (p. 30)—Definitions of
Technical Terms (p. 30) —How to Read the Charts (p. 34)—The Descriptions (p.
37)—Position of Steps in Relation to the Body (Diagram) (p. 38)—Directions of
Steps or Positions of Body in Relation to the Room (Diagram) (p. 39)—Diagram
Illustrating the Term "Across the Line of Dance "
SECTION I
THE QUICKSTEP ...... 41
General Notes—The Walk, Forward and
Backward—The Quarter Turns—The Progressive Chasse—The Natural Turn—The Natural
Pivot Turn—The Reverse Turn (Open) —The Chasse Reverse Turn—The Zig-Zag—The Cross Chasse—The Lock Step—The Drag (Preceded
by the Reverse Pivot Turn)—The Running Zig-Zag
(Combining the "Running Finish")—The Double Reverse Spin— The Natural
Spin Turn—The Change of Direction—The Telemark, the
Open Telemark, the Impetus Turn, and the Open Impetus
Turn—The Cross Swivel—The Corte— The Running Right Turn—The Fish Tail—The Quick
Open Reverse Turn—The Four Quick Run—The Flicker— Suggested Quickstep Amalgamations
SECTION II
THE WALTZ ....... 101
General Notes—The Closed
Change—The Natural Turn —The Reverse Turn—The Hesitation Change—The Backward Passing
Changes—The Natural Spin
Turn—The Reverse Corte—The Double Reverse Spin—The Outside Spin—The Open
Telemark (with Cross Hesitation Finish) —The Wing—The
Open Impetus Turn—The Whisk—The Drag Hesitation and the Backward Lock—Suggested
Waltz Amalgamations
SECTION III
THE FOXTROT . . . . , . -154
Genera] Notes—The Walk, Forward
and Backward—The Three-step—The Feather-step—The Natural Turn—The Reverse
Turn—The Reverse Wave—The Change of Direction—The Impetus Turn—The Telemark—The Open Telemark—The
Hover Telemark—The Hover Feather— The Natural Telemark—The Natural Hover Telemark—
The Natural Twist Turn—The Weave—The Top Spin—The Box—The Outside
Swivel—Suggested Foxtrot Amalgamations
SECTION IV
THE TANGO . . . . . . .212
General Notes—The Walk Forward—The
Walk Backward —The Progressive Side Step—The Rock Turn—From the Walk into
Promenade—The Closed Promenade—The Open Promenade—The Back Corte—The Rock—The
Open Reverse Turn (with Closed Finish)—The Open Reverse Turn (with Open
Finish)—The Basic Reverse Turn—The Progressive Side Step Reverse Turn—The
Natural (Twist) Turn—The Natural Promenade Turn—The Progressive Link—The
Promenade Link—The Four Step—The Fall-away Promenade—Suggested Tango Amalgamations
SECTION V
FOR THE KEEN
DANGER . . . . .
265
Amateur Medal Tests—Competition Dancing—Expression in Dancing
SECTION VI
POPULAR DANCES
...... 276
The Blues—The Rumba—The Samba—The
Viennese Waltz—The Continental Viennese Waltz—Rhythm Dancing
SECTION VII
BALLROOM NOVELTY DANCES AND GAMES , . 326
Paul Jones—Military Paul
Jones—"Excuse Me" Dance— The Palais Glide—The Lambeth Walk—The
St. Bernard's Waltz—Spot Dance—Elimination Dance
SECTION VIII
THE PRACTICAL
SIDE OF TEACHING . , .
333