Watching
Simon Schama's Power of Art is like taking an Ivy League course in art appreciation, with the folksy but knowledgeable Schama as guide and interpreter. A collection of hour-long films on eight seminal artists and their groundbreaking works, which originally aired on British television, this boxed set is as entertaining as it is enlightening, with Schama doing for Western art what, say, Steve Irwin did for Australian natural history. Eight artists are featured--Caravaggio, Bernini, Rembrandt, David, Turner, Van Gogh, Picasso, and Rothko--and each portrait of the artist weaves biography and historical context to help explain the true
power of his works.
The segment on Van Gogh is, as expected, emotional, yet Schama convincingly portrays Van Gogh as not consumed by madness, but fighting off the episodes with painting. Van Gogh painted one of his most evocative works, Wheat Field With Crows, which even his brother, Theo, recognised was about to put his brother on the artistic map. Yet, as Schama points out, within weeks, Van Gogh had killed himself. "Now why would he want to do that?" Schama muses--and then proceeds to narrate the tormented tale of the answer. Along the way, the viewer gains new appreciation for Van Gogh's signature works, including his famous sunflowers. "Technically, these are still lives," Schama says, "but there's nothing still about them... the sunflowers [seem to be] organisms landing violently from a burning sun." If the reenactments of the artists' lives are a bit overdone, it's forgivable, since the cumulative effect, in an hour, is a new appreciation of the work and the man.
Extras include frank and very funny commentaries by Schama and his co-producer, and lots of behind-the-scenes dish on how certain scenes were achieved. The teeming French opera scene in the "David" episode, for instance, was cast using just 20 French extras and then the rest created by CGI--"the scene works better, really, than [the film] King Kong," Schama says with delight. --A.T. Hurley
Product Description
The polite, chin-stroking world of art is laid asunder by 'A History Of Britain' writer Simon Schama's uniquely passionate view. Best known for his often controversial views on history, Simon Schama is also a professor of Art History and has as passionate a view of one as the other. This series aims to explore the idea that art, and he uses fine art as an example, is taken far from its original purpose when it's hung it in hushed, staid galleries. Schama posits that good art is supposed to shake you, grab you by the throat and smack you in the chops rather than pet your hair and tickle your chin. 'Great art has dreadful manners,' he says.
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