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ShelleyDevoto : Buzzkunst * Buzzcocks

09-06-2012, 10:35
Aukcja w czasie sprawdzania była zakończona.
Cena kup teraz: 15 zł     
Użytkownik wwwtanieplytypl
numer aukcji: 2288307781
Miejscowość Lublin
Wyświetleń: 16   
Koniec: 19-05-2012 00:28:57

Dodatkowe informacje:
Stan: Nowy
Liczba płyt w wydaniu: jedna
Opakowanie: bez folii
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 ShelleyDevoto - Buzzkunst

Stan: nowa, bez folii
Wydawca: Cooking Vinyl
Nr katalogowy: COOK CD 230
Nośnik, opakowanie: CD w standardowym pudełku
Wyprodukowano w: UK
Rok wydania : 2002
Produkt oryginalny


1. Can You See Me Shining?
2. Strain Of Bacteria
3. Deeper
4. 'Til The Stars In His Eyes Are Dead
5. On Solids
6. Self-Destruction
7. Are You Still There
8. God's Particle
9. A World To Give Away
10. Stupid Kunst
11. System Blues
12. So There I Was
13. Wednesday's Emotional Setup
14. Going Off
Video1: 'Til The Stars In His Eyes Are Dead
Video2: Going Off

All Music Guide: Buzzkunst isn't an attempt by middle-aged punk trailblazers to re-investigate the glory of their youth and reflect upon it. Nor is it an effort on the part of Howard Devoto and Pete Shelley -- the two founding members of Buzzcocks -- to keep up with the kids, to stay relevant, to cash in. A lengthy buzz line conveying the record's gist might go something like this: "14 logical extensions of Shelley's electronics-slanted solo work circa Homosapien and Devoto's scythe sharp lyrics and cutting vocals circa his entire career, filtered through updates on the experimental pop electronics of the Art of Noise, early Human League, Propaganda, and perhaps mid-'80s Shriekback." Although it helps to have a knowledge of this duo's recorded histories, there are hints at the past but no explicit references in Buzzkunst. Shelley, who apparently has composed all the music here (most of which is computer-based), does the proper thing by giving Devoto all the space required to spew his venom. The vocalist takes center stage on all the vocal numbers, as he should, while Shelley claims the spotlight on a handful of instrumentals that batter, pummel, grind, dive-bomb, and slither with mechanical rhythms, all manner of looped screwball FX, and a few nasty squalls of guitar. To be frank, Shelley's arrangements are chintzy every now and then and sometimes sound as if they were plucked from an action-packed television program featuring "edgy electronica" as the background music. As for Devoto, well, he's in top form -- as if he never went back to the nowhere he came from. Just to hear that ageless voice deal out phrases like, "Oh my manicure/Oh my pedicure/My peace of mind/My vomit/Ours is the land of the milk and the honey/We'd better bomb it," is something to be extremely happy about. ShelleyDevoto is obviously having a blast, and while Buzzkunst is no thundering masterpiece, the blast is not at listeners' expense.


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