'My empire is of the imagination.' These are the
words of Ayesha, the mysterious white queen of a Central
African tribe, whose dread title,
'She-who-must-be-obeyed', testifies to her undying
beauty and magical powers; but they serve equally well
to describe the hold of her author, Henry Rider Haggard,
on generations of readers. Writing 'at white heat', and
in the flush of success after the publication of King
Solomon's Mines, Haggard drew again on his knowledge of
Africa and of ancient legends, but also on something
deeper and more disturbing. To the Englishmen who
journey through shipwreck, fever, and cannibals to her
hidden realm, 'She' is the goal of a quest bequeathed to
them two thousand years before; to Haggard's readers,
'She' is the embodiment of one of the most potent and
ambivalent figures of Western mythology, a female who is
both monstrous and desirable - and, without question,
deadlier than the male. ABOUT THE SERIES: For over 100
years Oxford World's Classics has made available the
widest range of literature from around the globe.Each
affordable volume reflects Oxford's commitment to
scholarship, providing the most accurate text plus a
wealth of other valuable features, including expert
introductions by leading authorities, helpful notes to
clarify the text, up-to-date bibliographies for further
study, and much more. |
|