David M. Bethea
The Shape of Apolacypse in Modern Russian Fiction
Princeton University Press 1991
Stron XIX+307, format: 16x24 cm
Książka jest nowa, ale ma zagięty dolny róg okładki.
Contents
A Note on the Transliteration xi
Preface xiii
Introduction: Myth, History, Plot, Steed 3
one The Idiot: Historicism Arrives at the Station 62
two Petersburg: The Apocalyptic Horseman, the Unicorn, and
the Verticality of Narrative 105
three Chevengur: On the Road with the Bolshevik Utopia 145
four The Master and Margarita: History as Hippodrome 186
five Doctor Zhivago: The Revolution and the Red Crosse
Knight 230
Afterword: The End and Beyond 269
Works Cited 277
Index 297
"It is not often one comes across a book that is not only a major contribution to the field, but whose appearance calls for a celebration. David Bethea's The Shape of Apocalypse in Modern Russian Fiction is such a book."—Laura D. Weeks, The Russian Review"The terrifying enormity of the apocalyptic theme in Russian literaturefails to daunt Bethea, author of the acclaimed Khodasevich. His presentbook is brilliant, elegantly presented, and invaluable to anyone from under-graduate to specialist." —Choice"Bethea sees as his tasks: (1) to trace the theme of the Apocalypse ... in five Russian novels: Dostoevsky's The Idiot, Bely's Petersburg, Platonov's Chevengur, Bulgakov's The Master and Margarita, and Pasternak's Doctor Zhivago; (2) to show how generalizations about the time-honored 'messianic' and 'eschatological' impulse in the Russian historical character shed light on the narrative structure of these works; and (3) to demonstrate that 'apocalyptic fictions' . . . countermand Socialist realism and its vision of secular paradise. He does an excellent job with all three."—Thomas Gaiton Marullo, Modern Fiction Studies"This is precisely where the strength of [Bethea's] book lies: the 'shape ofapocalypse' is not superimposed upon the texts, but emerges from them,and the analytical method itself is a model of close, nondoctrinaireexegesis." —Jane Grayson, The Slavonic Review". . . Bethea's study is excellent for its range, its depth, its authority with the Russian language, and, most of all, for its faithful rendering, through five complex literary works, of a culture's history."—Dennis Patrick Slattery, Christianity and LiteratureDavid M. Bethea is Professor of Slavic Languages at the University of Wisconsin. He is the author of Khodasevich: His Life and Art (Princeton).