Shania Twain :: Come on Over
Paul Franklin - pedal steel guitar
Dann Huff - acoustic, electric & 12-string guitars, electric sitar, 6-string bass
Paul Leim - drums
Biff Watson - acoustic & electric guitars
Rob Hajacos
John Hobbs - piano, organ, Wurlitzer
Larry Franklin
Larry Byrom - slide guitar
Michael Omartian
Joe Spivey - fiddle
Joe Chemay - electric & fretless basses
Robert John "Mutt" Lange - background vocals
Bruce C. Bouton - pedal steel & lap steel guitars
Shania Twain - vocals, background vocals
Olle Romo - programming
John Hughey
Carl Marsh - strings
Joey Miskulin - accordion
David Hamilton
Arthur Stead - piano, organ, synthesizer
Eric Silver - mandolin
Bill Watson - guitar, acoustic guitar, electric guitar
James Somberg
Jay Alverez
Also: Brent Mason, Aubrey Haynie, Stuart Duncan, John Jarvis, Glen Duncan, Bryan White, Byran White
Come on Over is the third studio album recorded by Canadian singer Shania Twain. It was released on November 4, 1997. It became the best-selling country music album, and the best-selling studio album by a female act. To date, the album has sold more than 40 million copies worldwide, shipped over 20 million copies in the United States, with 15,531,000 copies sold according to Nielsen SoundScan, and another 1.99 million through BMG Music Clubs. The album debuted at No. 1 on the Billboard Top Country Albums chart and stayed there for 50 non-consecutive weeks. It stayed in the Top Ten for 151 weeks.
Pierwsze amerykańskie wydanie na CD !!!
Płyta kompaktowa-orginalna.
COUNTRY Today's Country , Contemporary Country , Blues Rock
MERCURY / POLYGRAM Records numer katalogowy 536 003 z 1997 roku. Made in USA.
Stan płyty: NOWA i FABRYCZNIE ZAFOLIOWANA !
SPIS UTWORÓW : jeżeli masz chwilę czasu, to kliknij TUTAJ(otwórz w nowym oknie), i już możesz posluchać samplii !
Track listing
Original version (1997)
All songs written and composed by Shania Twain and Robert John "Mutt" Lange.
| 1. |
"Man! I Feel Like a Woman!" |
3:53 |
| 2. |
"I'm Holdin' On to Love (To Save My Life)" |
3:30 |
| 3. |
"Love Gets Me Every Time" |
3:33 |
| 4. |
"Don't Be Stupid (You Know I Love You)" |
3:35 |
| 5. |
"From This Moment On" (with Bryan White) |
4:43 |
| 6. |
"Come On Over" |
2:55 |
| 7. |
"When" |
3:39 |
| 8. |
"Whatever You Do! Don't!" |
3:49 |
| 9. |
"If You Wanna Touch Her, Ask!" |
4:04 |
| 10. |
"You're Still the One" |
3:34 |
| 11. |
"Honey, I'm Home" |
3:39 |
| 12. |
"That Don't Impress Me Much" |
3:38 |
| 13. |
"Black Eyes, Blue Tears" |
3:39 |
| 14. |
"I Won't Leave You Lonely" |
4:13 |
| 15. |
"Rock This Country!" |
4:23 |
| 16. |
"You've Got a Way" |
3:24 |
Personnel
The following musicians performed on the album's American release.
- Bruce Bouton – steel guitar
- Larry Byrom – slide guitar
- Joe Chemay – bass guitar, fretless bass
- Stuart Duncan – fiddle
- Larry Franklin – fiddle
- Paul Franklin – steel guitar, "cosmic steel"
- Rob Hajacos – fiddle
- John Hobbs – piano
- Dann Huff – electric guitar riffs, rhythm guitar, talk box guitar, electric 12-string guitar, Wa-wa, six-string bass guitar, electric sitar, all guitar textures
- John Hughey – steel guitar
- John Barlow Jarvis – piano
- Mutt Lange – background vocals
- Paul Leim – drums
- Brent Mason – electric guitar licks and solos
- Joey Miskulin – accordion
- Michael Omartian – piano
- Eric Silver – mandolin
- Arthur Stead – piano, organ, synthesizer
- Shania Twain – lead vocals, background vocals
- Biff Watson – acoustic guitar, electric guitar riffs, rhythm guitar, nylon string guitar
"Bow Bros." gang fiddles on tracks 1, 3, 4, 8, 11, 13, and 15 (of original version) performed by Rob Hajacos, Joe Spivey, Glen Duncan, and Aubrey Haynie.
Strings on "From This Moment On" performed by Carl Marsh.
Editorial Reviews
The come-from-nowhere success of Shania Twain's previous album, The Woman in Me, proved that the world was ready for a combination of traditional instruments, girl-power themes, and dance-pop dynamics. Whether Twain is a modern-day Dolly Parton or a country music Spice Girl is a matter of perspective. But with her third album, she accentuates the sing-along choruses and simple dance rhythms while downplaying the country elements. As a pop move, it works wonderfully for her, earning Twain a valued spot on MTV, VH-1, and pop radio. The emphasis is on fun rather than depth, of course. But no one can accuse her of being stingy: she and her Svengali-like producer/husband, slick-rock king Robert "Mutt" Lange (Def Leppard, Bryan Adams, AC/DC), load down the album with 16 songs, all of them quite radio-friendly. --Michael McCall
