Thematically arranged and clearly structured, this
book explores the seminal themes in Heaney's writing:
aesthetics, politics, language, identity and myth,
ethics and notions of Irishness. It is the first such
study of Heaney to take into account all of his
writings, poetry, prose and translations in order to
demonstrate that these themes are coherently developed
throughout his work. The detailed reading of various
aspects of Heaney's prose should prove valuable to
students of his poetry, proving a depth of reference to
his evolving thought processes.
A central strand
of this study is an exploration of Heaney's ethical and
political project with respect to issues of Irish
identity as outlined in his writings. This work suggests
that there are analogies between Heaney's political and
ethical thought, and that of Jacques Derrida, Maurice
Blanchot and Emmanuel Levinas.
Each chapter
concentrates on a single theme: his sense of the
aesthetic, and its role in terms of politics and ethics;
his relationship with politics as a contemporary
situation; his notion of place, both as a given, and as
something that could be reimagined; his enunciation of a
sense of visceral identity; his concept of ethics in
terms of a relationship between selfhood and alterity;
his notion of the many threads which combine to produce
a sense of Irishness. Finally, the Nobel lectures of
Yeats and Heaney are examined in order to trace the
complex relationship between these two writers in terms
of the ethical similarities of their views on the role
of the aesthetic with respect to the politic, as well as
in terms of their attitudes to the complexities of
identity.
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