KSIĘGARNIA ARTYSTYCZNA BOOKOFF | UL. ŁUCKA 14 | 00-845 WARSZAWA | TEL. (22)[zasłonięte]253 62 | KOM. 503 [zasłonięte] 126

Sally Mann: The Flesh and The Spirit

Dane książki
ISBN	978-[zasłonięte][zasłonięte]71116
Oprawa	Oprawa twarda
Ilość stron	200
Wydawnictwo	Aperture
Język	Angielski

Cena: 179.00 PLN (wystawiamy faktury vat)

W celu obejrzenia książek zapraszamy do naszych księgarni w Warszawie:

Księgarnia Bookoff przy ul. Łuckiej 14 specjalizuje się w książkach i albumach fotograficznych.
Tel. (22)[zasłonięte]253 62 lub 503 [zasłonięte] 126

Księgarnia czynna jest w godzinach:
Pon-Pt, godz. 11-19
Sob, godz. 12-16

Księgarnia Muzeum Bookoff przy ul. Pańskiej 3 w Muzeum Sztuki Nowoczesnej. Specjalizuje się w dziedzinach którym poświęcona jest działalność Muzeum, czyli sztuce, projektowaniu graficznemu, architekturze oraz urbanistyce.
Tel. 512 [zasłonięte] 208

In collaboration with the Virginia Museum of Fine Arts and accompanying its landmark 2010 exhibition, Aperture is pleased to publish Sally Mann: The Flesh and The Spirit, the first in-depth look at this world-renowned artists approach to the body. Throughout her career, Mann has fearlessly pushed her exploration of the human form, tackling o!en di"cult subject matter and making unapologetically sensual images that are simultaneously bold and lyrical. This beautifully produced publication includes Manns earliest platinum prints from the late 1970s, Polaroid still lifes, early color work of her children, haunting landscape images, recent self-portraits, and nude studies of her husband. The series document Manns interest in the body as principal subject, with the associated issues of vulnerability and mortality lending an elegiac note to her images. In bringing them together, author and curator John Ravenal examines the varied ways in which Manns experimental approach, including ambrotypes and gelatinsilver prints made from collodian wet-plate negatives, moves her subjects from the corporeal to the ethereal. Sally Mann: The Flesh and The Spirit, a one-of-a-kind publication, is a must for any serious library of photographic literature, students, scholars, collectors, and others interested in her work. Ravenal has written a comprehensive introduction as well as individual entries on each series, and essays by David Levi Strauss (Eros, Psyche, and the Mendacity of Photography) and Anne Wilkes Tucker (Living Memory) add di#erent, but equally illuminating perspectives to this work.