At Twelve is a composite portrait that is both universal and intimately personal. As Ann Beattie writes in her perceptive introduction, "These girls still exist in an innocent world in which a pose is only a pose--what adults make of that pose may be the issue." Sally Mann's work is in the collections of major museums across the country. "Haunting black-and-white studies of children, shown here as surprisingly sensual and often distant beings, the magical keepers of some obscure and vaguely frightening secrets." --Karen Lipson, Newsday At Twelve is a composite portrait that is both universal and intimately personal. As Ann Beattie writes in her perceptive introduction, "These girls still exist in an innocent world in which a pose is only a pose-what adults make of that pose may be the issue." Sally Mann's work is in the collections of major museums across the country. "Haunting black-and-white studies of children, shown here as surprisingly sensual and often distant beings, the magical keepers of some obscure and vaguely frightening secrets." -Karen Lipson, Newsday "Sally Mann's photography is a clear pane . . . not intrusion, but revelation. These young women distill something for the eye . . . something beautiful and sad and moving, something purely female." -Diane Sawyer Introduction by Ann Beattie.

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