REQUIEM[S] Extracts from Requiems by Mozart, Faure, Dvorak, Berlioz, Verdi, Brahms, Ravel, Cherubini, Durufle, Dusapin etc. Accentus, Ars Nova, Laurence Equilbey, Oxford Camerata, Jeremy Summerly etc. Naïve

Oryginalna plyta renomowanej francuksiej wytworni Naive.

Naive France : V5058

Informacje o plycie na stronie wytworni 

Plyta uzyta tylko jeden raz w celu zgrania zawartosci na dysk, poniewaz uzywam serwera jako transport w systemie. 

Informacje szczegolowe:

Bernard Kruysen (Performer)
Eustache du Caurroy (Composer)
Wolfgang Amadeus Mozart (Composer)
Johannes Brahms (Composer)
Johann Adolf Hasse (Composer)
Luigi Cherubini (Composer)
Maurice Durufle (Composer)
Hector Berlioz (Composer)
Giuseppe Verdi (Composer)
Camille Saint-Saens (Composer)
Gabriel Faure (Composer)
Heinrich Ignaz Franz von Biber (Composer)
Pascal Dusapin (Composer)
Maurice Ravel (Composer)
St. John of Damascus (Composer)
Denis Raisin-Dadre (Conductor)
Christoph Spering (Conductor)
Paul Dombrecht (Conductor)
Michel Piquemal (Conductor)
Noel Edison (Conductor)

Lista utworow

Missa pro defunctis, for chorus: Sanctus
Requiem for soloists, chorus, and orchestra, K. 626: Lacrimosa
Ein deutsches Requiem (A German Requiem), for soprano, baritone, chorus orchestra, Op. 45: Denn alles Fleisch, es ist wie Gras
Requiem in C major: Agnus Dei
Requiem No.1, for chorus orchestra in C minor: Pie Jesu
Requiem, for orchestra, organ chorus; for organ chorus; for small ensemble, organ chorus, Op. 9 (3 versions): Sanctus
Requiem (Grande Messe des morts), for tenor, chorus orchestra, H. 75 (Op. 5): Offertorium
Requiem Mass, for soloists, chorus orchestra (Manzoni Requiem): Dies Irae
Requiem, for soloists, chorus orchestra, Op. 54: Agnus Dei
Requiem, for 2 solo voices, chorus, organ orchestra, Op. 48: Pie Jesu
Requiem ex F con terza minore, for solo voices, chorus, orchestra continuo in F minor, C. 8: Sanctus
Russian Orthodox Requiem: Troparia in tone 5
Dona Eis, for chorus wind ensemble
Kaddisch, song for voice piano

Opis ze strony wytworni:

Granum Sinapis, Umbrae Mortis and Dona eis: three spiritual works for mixed choir, the first two a capella, the third accompanied by an instrumental ensemble performed here with great sensitivity and with a perfect understanding of the artist's motivations by the Accentus choir and the musicians of Ars Nova, conducted by Laurence Equilbey. The mysticism of the Rhenish theologian Master Eckhart [Granum Sinapis], a reappropriation of the first Western Requiem by Ockeghem [Umbrae Mortis]: music purposely devoid of effect, the voice breathy, unhurried, encouraging introspection and meditation; a quest for the essential, the infinite. Dona eis contains complex part-writing and skilful rhythmic articulations; its apparent immobility is interrupted by convulsive peaks, in the form of lines by Olivier Cadiot from the opera Romeo & Juliette.