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You want an alien world created anew, with wonders and horrors lurking in its furrows? You go to Ridley Scott, of course, spectacle maker and pictorialist par excellence. SoPrometheus is bound to be eye filling, with fully wrought planetary vistas and occasionally jaw-dropping visual coups. And did we use the word alien back there? Yes, folks,Prometheus is a prequel, in a sideways sort of fashion, to Scott's 1979 Alien original--or at least it's a long-distant stage setter for that story. This one begins with a space mission that could reveal the extraterrestrial roots of Earth, although what's buried out on the planet turns out to be much more complicated than expected. In the midst of suspenseful episodes (and a few contrived plot turns), Prometheus reaches for Big Answers to Big Questions, in a grand old sci-fi tradition. This lends the movie a hint of metaphysical energy, even if Scott's reach extends well, well beyond his grasp. The hokier moments are carried off with brio by Michael Fassbender (the robot on board), Charlize Theron, and Idris Elba, and then you've got Noomi Rapace entering the badass hall of fame for a long, oh-no-they-didn't sequence involving radical surgery, which might just induce the vapours in a few viewers. Even if Prometheus has its holes, the sheer size of the thing is exciting to be around. Because this movie is gigantic. After scientists Elizabeth Shaw (Noomi Rapace, The Girl with the Dragon Tattoo) and Charlie Holloway (Logan Marshall-Green, Devil) discover mysterious cave drawings that point to the origins of mankind, they soon find themselves aboard the spaceship Prometheus, sponsored by Weyland Industries and on a journey to uncover the secrets of humanity. Overseen by the imperious Meredith Vickers (Charlize Theron, Snow White and the Huntsman), looked after by the android David (Michael Fassbender, X-Men: First Class), and backed up by a team of scientists, Shaw and Holloway arrive on the isolated moon LV-223 to discover an abandoned alien spaceship and the truth… that not all is as it seems...
"A chillingly classy epic" *****--Mail On Sunday
"A classic in its own right" 10/10--Daily Star
"It doesn’t get much better than this" *****--The S
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