Witam, sprzedaję mojego Ensoniqa TS-12. Jest to profesjonalny syntezator z klawiaturą młoteczkową włoskiej firmy Fatar. Sam instrument pochodzi ze Stanów i już przy pierwszym kontakcie czuć tego oznaki, takie jak jakość wykonania metalowej obudowy, design kontrolerów, a zwłaszcza charakter brzmienia. Swego czasu był częstym gościem na światowych scenach, używał go nawet Jean Michel Jarre, a w Polsce Bajm, Lombard, czy jeszcze niedawno Natanael.

Ja osobiście zjeździłem z nim sporo koncertów i nigdy mnie nie zawiódł, żaden akustyk nie miał problemów z jego nagłośnieniem i na każdym systemie brzmiał wspaniale. Długo długo nie zmieniałem instrumentu (mam go już prawie 10 lat), bo aby wyraźnie poczuć różnicę muszę zainwestować np. w sprzęt od Clavii. Jest to spory wydatek, dlatego nie jestem w stanie zostawić sobie Ensoniqa, co inaczej bym zrobił.

Poniżej podaję dane techniczne, jednak nie da się ocenić takiego instrumentu inaczej, niż grając na nim. TS znajduje się we Wrocławiu, zapraszam na spotkanie po wcześniejszym umówieniu - telefon 661 [zasłonięte] 985

W komplecie znajduje się twardy case na profilach stalowych, w którym instrument może podróżować nawet transportem lotniczym. Dlatego też nie ma problemu z wysyłką, jednak przy tej wadze jest to dodatkowy koszt.

Dane techniczne w języku angielskim - w razie potrzeby proszę pytać

Keyboard

• 76-key (E-G) weighted action keyboard with programmable velocity and channel pressure sensitivity (MIDI transmission of Release Velocity)

Controllers

• Exclusive Patch Select buttons for instant access to 4 sound variations within each Program or Sampled Sound
• 2 programmable single/dual Foot Switch inputs for sustain, sostenuto, Patch Select, preset up/down, FX mod, and sequencer control (SW-2, SW-6, or SW-10)
• Pitch and Mod Wheels
• Mod/Volume pedal (optional CVP-1)
• Data Entry Slider functions as a real time controller transmitting on any MIDI controller number

Internal Program/Preset Memory

• 437 programs (120 RAM/180 ROM/137 GM ROM)
  • SoundFinder provides easy lookup by musical type for fast locating of desired Programs
• 300 performance Presets (120 RAM/180 ROM)
• 2 SIMM sockets provide for up to 8 MB (4 Megaword) of 16-bit sample RAM
  • 2 MB of sample RAM (standard) provides for 10 Sampled Sound locations
  • 8 MB of sample RAM provides for 20 Sampled Sound locations
  • Maximum memory per Sampled Sound: 4 MB
• Automated loading of Sampled Sounds upon power-on Waves
• 48 Megabits (6 MB - 3.5 Megawords) of waveform ROM
• Over 4000 variations possible from the 254 wave selections, which include:
  • Multi-sampled acoustic instruments in Keyboard, String, Brass & Horn, Wind & Reed, Vocal, Bass, Drum, Percussion, and Sound Effect groups
  • Sustain waveforms with harmonic and inharmonic structures
  • TransWave_ spectral interpolation waves with real time modulation
• Modulatable start point, forward or backward playback, and multi-sample key shift available on most waves
• Pitched or fixed frequency playback of all waves possible
• Ability to read and edit sample disks created for the EPS-16 PLUS/EPS/ASR-10 samplers with automated loading from disk or SCSI

Voice Architecture

• 32 dynamically assigned voices (31 voices when using Sampled Sounds)
• A single Program can use up to 6 waves per key simultaneously
• A Drum Program can use up to 61 waves per program/ 4 waves per key, with separate pitch, volume, panning, and 32 voice parameter templates for each wave
• Instant selection of alternate voices within a program using Patch Select buttons or velocity
• Programmable voice delay up to 5000 msec or by keyup trigger
• Each voice has a complete set of programmable parameters:
  • Independent waveform selection
  • 2 independent multi-mode dynamic digital filters (low pass, high pass, variable bandwidth band pass)
  • 3 six stage loopable hardware envelopes with 15 parameters per envelope
  • 35 preset envelope templates for ease of programming
  • 1 multi-waveform LFO with adjustable rate, depth, phase, delay, and restart mode
  • Variable rate random Noise generator for modulation
  • 15 modulation sources, routable to pitch, filter cutoff, volume, pan, wave start offset, TransWave index, Hyper-Wave steps, LFO depth and rate
  • Programmable 2 source modulation Mixer/Shaper
  • Glide mode, glide time, pitch bend range, and Held pitch bend mode
• Hyper-Wave architecture allows up to 16 waves to be defined in a list, which can be swept through or crossfaded for timbre-shifting and Jam-Loop effects
• Hyper-Wave voice parameters include start step, loop start, loop end, volume, pitch, pitch tracking, wave direction, duration, crossfade time, and modulation options
• One fully programmable pitch table available per Program
• 33 ROM Pitch Tables
• System Pitch Table allows user to apply any ROM or Program Pitch Table on all sounds instantly

Performance Preset Parameters

• The combination of up to 3 Programs, special performance parameters and an effects setup can be named and saved as a Performance Preset
• Performance Presets can use any combination of RAM/ROM Programs, Sampled Sounds, and external MIDI control
• Easy access performance parameters: mix, pan (stereo or mono modes), attack time, release time, brightness, timbre, key zone, velocity range, velocity sensitivity, transpose, detune, LFO or Hyper-Wave rate, controller enables, Patch Select status, channel/Poly-Key pressure modes, volume pedal modes (positive, inverse, off), MIDI status, MIDI channel, Program Change remapping, MIDI Bank Select, effect bus overide and effect parameters

Disk

• 1.4 MB High Density (HD) 3.5" micro-floppy
• Save Programs (Individual, Banks, All), Sampled Sound edits and Banks (TS-10 format), Performance Presets (Individual, Bank, All), Sequence/Song (Single, Half, All with or without associated Programs and Sampled Sound Banks), System Setup
• Save MIDI Sys-Ex dumps (256K Bytes) from any MIDI device to disk (expandable to 768K Bytes with optional SQX-70)

Effects

• Custom VLSI 24-bit digital signal processor (ESP chip) with 48-bit accumulation
• Programmable stereo effects processing with real time modulation of any effects parameters from 13 sources
• 73 algorithms, including serial and parallel multi-effects
• Multiple preset effects variations per algorithm for ease of programming (692 effects presets in ROM)
• Three stereo busses allowing for dry, individual or grouped effects processing (routed to Main stereo outputs)
• One additional dry stereo bus routed to AUX outputs

Sequencer

• 24 polyphonic tracks (including 12 "Song Tracks") each with its own sound and complete set of track parameters (same as Presets)
• Tracks can play any combination of ROM/RAM Programs, Sampled Sounds, and external MIDI control
• Up to 32 internal voices per track, dynamically assigned (no limit on MIDI voices per track)
• Up to 60 Sequences or Songs in any combination
• Song form provides up to 99 Steps with up to 99 Repetitions for each Step (each Sequence Track in a Step can be individually muted and/or transposed)
• Song Steps can be advanced with the Foot Switch
• Note capacity, expandable to over 97,000 notes with optional SQX-70
• Clock resolution of 96 PPQ, synchronized to internal or MIDI clock source
• 3 real-time record modes (Replace, Add, Looped), Step-Entry, and Multi-Track recording via MIDI
• Automated punch/edit locations remembered for each Sequence
• Post-quantization (auto-correct to 1/64th note triplets), with percent, swing and random options
• Song Step editing, bar/beat/clock and key range editing, event list editing, copy, append, change length, time-shift, transpose, merge tracks, filter/extract/scale any event
• All editing can be auditioned before saving changes
• Tempo Track provides recordable tempo changes
• Auto-locate controls, adjustable click track (routable to Main or AUX outputs), and Tap Tempo control
• Auto Mix (automated mixdown) feature records all volume and panning changes for each Track

MIDI

• Poly, Omni, Multi, Mono A and Mono B modes
• Multi-timbral, accommodating up to 12 simultaneous polyphonic MIDI channels with separate Programs/Sampled Sounds and performance parameters
• MIDI Local On/Off per track allows up to 12 outbound MIDI keyboard zones for master controller applications
• Global controllers in Mono mode for use with MIDI guitar and alternate controllers
• MIDI Song Position Pointer, Song Select, Bank Select, All Notes Off and Reset All Controllers supported
• XCTRL allows any MIDI controller (0-127) to be used as a voice modulator, and/or to be transmitted to external devices on a per channel basis
• General MIDI compatible mode for 16 channel reception of program changes, notes, controllers, and registered parameter messages as defined in the General MIDI specification. Reception can be disabled per channel for "music minus one" applications.

Inputs/Outputs

• Left/Mono and Right/Mono Main audio outputs
• Left/Mono and Right/Mono AUX audio outputs (dry signal)
• Stereo headphone output
• Pedal/Control Voltage input (allows modulation of voices or volume control with optional CVP-1 pedal)
• 2 single/dual pedal inputs (SW-2, SW-6, SW-10)
• MIDI In/Out/Thru
• Optional read-only SCSI interface (SP-4)

Display

• 80 (2x40) character vacuum-fluorescent display, with 6 soft buttons for ease of programming
• Six Program names/sequence names/track settings may be viewed at once

Physicale

• TS-12 Dimensions: 50 1/2" (128.3 cm) wide x 5" (12.7 cm) high x 15 5/8" (39.7 cm) deep
• TS-12 Weight: 55 lbs (24.9 kgs) unboxed 69.2 lbs (31.2 kgs) boxed