'By the time of the Paris exhibition of 1925 from which Art Deco took its name, the idea that an interior and its furnishings should form a complete design - a "total look" - dominated the thinking of both designers and their clients. Studios began to emerge to serve the needs of a design and style-conscious middle-class. This text displays the flourishing design ingenuity through contemporary photographs and illustrations of selected interiors complemented with modern photographs of individual pieces. It traces the sylistic evolution and dominant motifs of Deco, the triumph of the 1925 exhibition and the pure "high style" of the Paris ensembliers

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