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NICK HEYWARD - NORTH OF A MIRACLE

11-05-2015, 11:41
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NICK HEYWARD - NORTH OF A MIRACLE

 

 

 

USA Edit


 


 

 

ORYGINALNE WYDANIE SYGNOWANE BY ARISTA  RECORDS 1983 R.

 

 

Nick Heyward's North of a Miracle was originally released in 1983 following his success with Haircut 100. It epitomized the resurgence of that time using real orchestral instruments instead of synthesizers, so prevalent in previous years.


The album was produced by Heyward and Geoff Emerick of Beatles fame as George Martin's engineer on the later albums. The production quality is brilliant with a full orchestra on every track and a good deal of percussion. The vocal harmonies, guitars, bass, drums, piano, organ and other instruments jump out of the speakers with crisp sonic precision to be appreciated across the audio spectrum.
Most importantly, the songs are great. The CD version includes a few extra tracks as noted and as usual, the extra tracks are forgettable with the exception of Stolen Tears, a bright tune with fine acoustic guitar work.
Listeners of college radio or English radio in the early 80s may have heard When It Started to Begin, Atlantic Monday or other tracks but American pop radio listeners surely heard Whistle Down the Wind, which cracked Billboard's top 20 in late 1983. Opening with piano and a droning fretless bass (Pino Palladino), this breezy tune grows in energy with each measure and finishes with a beautiful orchestral climax. A pop tune with class.
Every other one of the 10 original songs are exceptional although The Day It Rained Forever, the last song on the original album, always made me hit the stop button on my turntable.
Speaking of which, I still have the original vinyl LP in mint condition and a good turntable with an Ortofon cartridge and it sounds much better than the CD, which sounds fine. I realize not everyone wants to bother with all the old stuff but the LP does sound better. That's another story for another day.
As for the songs, Atlantic Monday and When It Started To Begin are so good and so high energy that one could only wish they were playing in that band, if only as a percussionist or background vocalist.