Snowy Tension Pole: Jesteśmy niezależnym labelem wydającym na płytach procdr w bardzo ograniczonych nakładach, teraz jest 100 kopii, w przyszłości możliwe, że będą to większe ilości typu 500 sztuk. Ale nadal są to nieduże, limitowane nakłady. Jest to dobre rozwiązanie dla wszystkich tworzących wszelakie odmiany awangardowej i "niełatwej" Muzyki . Jeżeli chodzi o style to klimaty około Ambientowe, większość jego pod-gatunków nawet w kierunku eksperymentalnej elektroniki a także muzykę neoklasyczną oraz industrialną.

Wydawnictwo

Snowy Tension Pole

prezentuje

MYSTIFIED
coming days
CD-R
plastic-case
ACR 1003
2011
unlimited edition

Kraj pochodzenia płyty: Niemcy

Egzemplarz płyty NOWY, nieużywany

Tracklista:

01	Atlantic Passage	4:46
02	The Charge	6:30
03	Phantom Ether	6:46
04	Discordant Dreaming	5:18
05	What Is Inevitable	4:46
06	The Shock Of Coming Days	11:02
07	Faux Rapture

"Coming Days" is a set of drone pieces made from acoustic sources such as the trombone, overtone flute and pan pipe.
The pieces are dark and moody, with titles such as “What is Inevitable” or “The Shock of Coming Days” hinting at the
composer’s intention to musically render the fear of apocalypse present in media coverage of current crises. The sound
of the release bears resemblances to the work of drone artists such as Tim Hecker, due largely to the acoustic
source material.

VITAL WEEKLY:
From what I heard from Mystified, I quite enjoyed it. Music that could in any
sort of direction, ambient, drones, field recordings and even a bit of noise.
Mystified is the work of Thomas Park, existing since 2002. Here he creates
seven pieces of drone music, using trombone, overtone flute and pan pipe and
I assume all the subject of sampling and/or heavy processing, as its not
always easy to recognize any of these sources in the music. Very occasionally
we may recognize a little bit of blowing down pipes, but it feeds heavily through
sound effects and creates a massive, dark and atmospheric sound, a full sound
but clearly with some detail. Small melodies shimmer through, such as in the
particularly moody 'The Shock Of Coming Days', complete with a hammering slow
industrial rhythm, but then also majestically slow humming in 'Faux Rapture'.
A fine album, one of the better for him, as far as I can judge that is of course.
(FdW)
http://www.vitalweekly.net/811.html

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