Lola Versus captures the obsessions, confusions, and neuroses of contemporary urban middle class consciousness. Lola (Greta Gerwig) thinks her life is perfect--until her fiancé Luke (Joel Kinnaman) breaks up with her mere weeks before their wedding. What follows is a comic floundering, what might be a 21st-century update to 1970s "finding herself" movies like An Unmarried Woman, only the men are just as sensitive and self-absorbed as the women. Fortunately, the filmmakers keep a sense of perspective and humour about it all, and just as fortunately the movie is grounded in the unusual presence of its lead actress. Gerwig is strikingly beautiful, a fusion of a 1920s movie star and a Renaissance Madonna, but projects ordinariness. When juxtaposed with typical movie stars, she seems awkward and goofy, but when she's the centre of a movie, it all becomes suffused with her sweet approachability. The rest of the cast gets in tune, including Bill Pullman and Debra Winger as Lola's earnest, supportive parents and Hamish Linklater as Lola's best friend, Henry. The ending feels a bit tacked on, as if suddenly trying to harness the movie to a particular agenda, but the rest of Lola Versus enjoyably spins and wobbles in ways that resist easy labelling. --Bret Fetzer