Here Stefano Molardi adds to his definitive survey of Bachs complete organ music an extensive assortment of chorale preludes, concertos after other composers and some of the largest works in the great composers sizeable organ repertoire.
Rather than organising the music by collection, Molardi provides great variety in his recording by juxtaposing the delicacy of works like the Trio in D minor BWV583 with the imposing Toccata and Fugue in D minor BWV538 and a selection of chorale preludes from the Orgelbuchlein (small-scale works, many under one minute in duration). The brilliant Piece dorgue BWV572 and the Toccata, Adagio and Fugue in C BWV564 show off Bachs compositional finesse in the French and Italian styles respectively. The fascinating Canonic Variations BWV769a (recorded here in the Leipzig manuscript version) were written as a kind of entrance exam for the highly-regarded Mizler society Bach proves his ability in a rigorous mathematical structure which remains musically exciting.
Molardi plays the Zacharias Hildebrandt organ of the St. Jacobikirche, Sangerhausen, which has a close affinity with Bachs organ music: the composer was friendly with Hildebrandt, who lived in Leipzig from 1734. The thrilling sound and variety of tonal colour offered by this instrument allows us to hear the music as closely as possible to how Bach himself might have known it.