Film zrealizowany na podstawie książki Briana Selznicka. Bohaterem jest Hugo - sierota mieszkający w korytarzach ukrytych w murach paryskiego dworca, gdzie jego życie zależy od zachowania anonimowości. Kiedy jednak jego losy zazębiają się z życiem pewnej dziewczynki (Izabelle) kochającej książki oraz starca prowadzącego na dworcu sklepik z zabawkami, jego podziemne życie zostanie zagrożone. Tajemniczy rysunek, notes, skradziony klucz, mechaniczny człowiek i ukryta wiadomość od nieżyjącego ojca Hugona to elementy tworzące szkielet tej pięknej historii.

 

In resourceful orphan Hugo Cabret (Asa Butterfield, an Oliver Twist-like charmer), Martin Scorsese finds the perfect vessel for his silver-screen passion: this is a movie about movies (fittingly, the 3-D effects are spectacular). After his clockmaker father (Jude Law) perishes in a museum fire, Hugo goes to live with his Uncle Claude (Ray Winstone), a drunkard who maintains the clocks at a Paris train station. When Claude disappears, Hugo carries on his work and fends for himself by stealing food from area merchants. In his free time, he attempts to repair an automaton his father rescued from the museum, while trying to evade the station inspector (Sacha Baron Cohen), a World War I veteran with no sympathy for lawbreakers. When Georges (Ben Kingsley), a toymaker, catches Hugo stealing parts for his mechanical man, he recruits him as an assistant to repay his debt. If Georges is guarded, his open-hearted ward, Isabelle (Chloë Moretz), introduces Hugo to a kindly bookseller (Christopher Lee), who directs them to a motion-picture museum, where they meet film scholar René (Boardwalk Empire's Michael Stuhlbarg). In helping unlock the secret of the automaton, they learn about the roots of cinema, starting with the Lumière brothers, and give a forgotten movie pioneer his due, thus illustrating the importance of film preservation, a cause to which the director has dedicated his life. If Scorsese's adaptation of The Invention of Hugo Cabret isn't his most autobiographical work, it just may be his most personal. --Kathleen C. Fennessy