EARTH VS THE FLYING SAUCERS (BLU RAY)

18-01-2012, 10:34
Aukcja w czasie sprawdzania nie była zakończona.

Cena kup teraz: 98 zł

Użytkownik Failte_Eireann

numer aukcji: 2042077075

Miejscowość KOŁOBRZEG, Polska

Koniec: 18-01-2012 10:34:31

Dodatkowe informacje:
Stan: Nowy

Wydanie oryginalne w idealnym stanie, nieużywane

BEZPŁATNA WYSYŁKA !!!

UWAGA !!! Film nie posiada polskiej wersji językowej !!!

Tytuł oryginalny: EARTH VS THE FLYING SAUCERS (BLU RAY)

Obsada: Hugh Marlowe, Joan Taylor, Donald Curtis, Morris Ankrum, John Zaremba
Reżyseria: Fred F. Sears

Czas: 79 minut
Region: 2 PAL (Europa, Polska)
Języki: angielski (Dolby True HD 5.1), francuski
Napisy: brak polskich, angielskie, francuskie, hiszpańskie i inne

Dodatki:

Includes both the original 'Black & White' and Harryhausen approved 'Colorized' versions
Ray Harryhausen on EARTH VS. THE FLYING SAUCERS
The Colorization Process
The Hollywood Blacklist and Bernard Gordon
Original Screen Credits
Interview with Joan Taylor
Photo Gallery

A textbook example of '50s-era science fiction, Earth vs. the Flying Saucers boasts not only a solid script and competent performances, but some genuinely impressive stop-motion effects courtesy of one of the industry's uncontested masters, Ray Harryhausen. Scientist Hugh Marlowe (who faced a more benevolent invader from space five years earlier in The Day the Earth Stood Still) discovers that UFOs are responsible for the destruction of a series of exploratory space rockets launched by his space exploration project. The saucers' helmeted pilots land on Earth and deliver an ultimatum to humanity via Marlowe.

Harryhausen's painstakingly intricate saucers and the destruction they wreak (particularly during an assault on Washington, D.C.) are the film's unquestionable highlights, but Marlowe and Joan Taylor (as his wife/partner) are capable leads, and veteran B director Fred F. Sears doesn't let the dialogue and expositional scenes fall apart in between the barrage of effects. Earth vs. the Flying Saucers is a fun and effective slice of sci-fi that should please younger audiences as well as nostalgic return viewers. Sears later reused some of the effects footage for his jaw-droppingly awful 1957 effort, The Giant Claw.