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DOORS Soft Parade`69 SACD USA 2012 Limi.Edit FOLIA

15-06-2014, 0:54
Aukcja w czasie sprawdzania była zakończona.
Cena kup teraz: 169.99 zł     
Użytkownik KANON_FIDELITY
numer aukcji: 4245672472
Miejscowość Płońsk
Wyświetleń: 4   
Koniec: 15-06-2014 00:49:59

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KANON FIDELITY to właściwe miejsce dla każdego Audiofila !
 
Paragon lub rachunek do każdego zakupu !
 

 

Wysyłka - GRATIS !

 

 

 

 

 

 

 Analogue Productions

 

 

 

 

 
 
The Doors :: The Soft Parade  [Hybrid SACD Multi-ch Stereo DSD]  

 

 

 

Recorded at Elektra Sound Recorders, Los Angeles, California. 1969

 

 

Płyta kompaktowa SACD wydana przez ANALOGUE PRODUCTIONS (Warner Bros.). Przygotowana  z oryginalnego analogowego źródła. Dźwięk absolutnie doskonały, także edytorsko mistrzostwo świata.

 

Robby Krieger - guitar, background vocals
Ray Manzarek - keyboards
Jim Morrison - vocals
John Densmore - drums
Jim Buchanan - fiddle

Also: Harvey Brooks, Curtis Amy, Reinol Andino, Champ Webb, Doug Lubahn, Jesse McReynolds, George Bohannan, Jimmy Buchanan

 

 

 

The Soft Parade — czwarty album studyjny amerykańskiego zespołu The Doors, wydany 21 lipca 1969 roku przez wytwórnie płytową Elektra. Z powodu różnic pomiędzy tym albumem a poprzednimi wydawnictwami zespołu, The Soft Parade wywołał kontrowersje wśród fanów i krytyków. W trakcie komponowania muzyki grupa zmagała się z alkoholizmem wokalisty i frontmana Jima Morrisona, co spowodowało problemy podczas sesji nagraniowych. W piosence "Runnin' Blue" gitarzysta Robby Krieger dzieli z Morrisonem główny wokal.

 

 

 

 

 

 

 

 
 
 
NOTE: The Doors was a 4-track recording. As such, the surround portion of this multichannel mix is intended to be room ambiance.

 

Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer/engineer.
Hybrid Multichannel SACD
Part of The Doors reissue series proudly presented by Analogue Productions!

 

 

 

 

 

 

 

 

 

LIMITOWANA EDYCJA - nakład to tylko 2500 egz.

 

 

 
SUPER AUDIO CD (SACD) HYBRID 

High Resolution DSD

 Multi-Channel SACD 

This CD will play in standard CD players.
 
 

 

 

 

 

Płyta kompaktowa-orginalna.  

 

 

 

 

 

 

 

 

ROCK Hard Rock , Psychedelic Rock , Album-Oriented Rock (AOR)

 

 

 

 

 

 

 

 

Analogue Productions / RHINO-WARNER BROS. Records numer katalogowy CAPP 7505 SA z 2012 / 1969 roku. Made in USA.  

 

 

 

 

 

 

 

 

Stan płyty: NOWA i FABRYCZNIE ZAFOLIOWANA .

 

 

 

 

 

 

 

 

SPIS UTWORÓW: jeśli masz chwilę czasu, to kliknij TUTAJ (otwórz w nowym oknie),

 

 

 

i już możesz posłuchać samplii !
 

Lista utworów

  1. "Tell All the People" – 3:21
  2. "Touch Me" – 3:12
  3. "Shaman's Blues" – 4:49
  4. "Do It" – 3:08
  5. "Easy Ride" – 2:43
  6. "Wild Child" – 2:36
  7. "Runnin' Blue" – 2:27
  8. "Wishful Sinful" – 2:58
  9. "The Soft Parade" – 8:36 

 

Personel

 

 

Mastered by Doug Sax using an all-tube system. Overseen by Bruce Botnick, The Doors producer/engineer.

 

Hybrid Multichannel SACD

 

Part of The Doors reissue series proudly presented by Analogue Productions!

  

 

The surround sound program on the Doors SACDs comes from the original 96K, 24-bit files mixed and mastered by Bruce Botnick for the DVD Audio Doors/Perception release. Those mixes were made from the original one-inch, eight track, 15 i.p.s. analog master tapes. For the SACDs, the mixes were then up-sampled without filters to DSD using the Weiss Saracon format converter and authored by Gus Skinas at the Super Audio Center.

 

 

 

About Soft ParadeRolling Stone described two songs written by guitarist Robby Krieger, “Touch Me” and “Follow Me Down” as horn-string showpieces for the resonant baritone of Jim Morrison.

Described as among the cleanest, most solid and, above all, most recognizable sounds in rock, the distinctive Doors’ sound was no doubt due to the Morrison power, but the other Doors were equally responsible. Ray Manzarek brought virtuosic keyboard tapestries, Krieger gritty, expressive fretwork, and Densmore dynamically rich percussion grooves. 

Half of the songs on Soft Parade, The Doors’ fourth LP, were written by Morrison and the other half by guitarist Krieger. “Touch Me” became one of The Doors’ most popular singles. Released as a single in December 1968, the song reached No. 3 on the Billboard Hot 100 and No. 1 in the Cashbox Top 100 in early 1969. It was the band’s third American No. 1 single.

Analogue Productions and Quality Record Pressings are proud to announce that six studio LP titles — The Doors, Strange Days,Waiting For The Sun, Soft Parade, Morrison Hotel and L.A. Woman —  are featured on 200-gram vinyl, pressed at 45 rpm. All six titles are also available on Hybrid Multichannel SACD! All were cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best tape copy.

This is no time to wallow in the mire. The Doors are on Analogue Productions!

Originally released in 1968.

Ray Manzarek, keyboards

Jim Morrison, vocals

John Densmore, drums

Robby Krieger, guitar

 

 

 

 

 

Technical notes about the recording process by Doors producer/engineer Bruce Botnick:

"Throughout the record history of the Doors, the goal between Paul Rothchild and myself was to be invisible, as the Doors were the songwriters and performers. Our duty was to capture them in the recorded medium without bringing attention to ourselves. Of course, the Doors were very successful, and Paul and I did receive some acclaim, which we did appreciate.

"If you listen to all the Doors albums, no attempt was made to create sounds that weren't generated by the Doors, except for the Moog Synthesizer on Strange Days, although that was played live in the mix by Jim, but that's another story. The equipment used was very basic, mostly tube consoles and microphones. Telefunken U47, Sony C37A, Shure 56. The echo used was from real acoustic echo chambers and EMT plate reverb units. In those days, we didn't have plug-ins or anything beyond an analogue 8-track machine. All the studios that we used, except for Elektra West, had three Altec Lansing 604E loudspeakers, as that was the standard in the industry, 3-track. On EKS-74007, The Doors, we used 4-track Ampex recorders and on the subsequent albums, 3M 56 eight-tracks. Dolby noise reduction units were used on two albums, Waiting For The Sun and The Soft Parade. Everything was analogue, digital was just a word. We didn't use fuzz tone or other units like that but created the sounds organically, i.e. the massive dual guitar solo on "When The Music's Over," which was created by feeding the output of one microphone preamp into another and adjusting the level to create the distortion. The tubes were glowing and lit up the control room.

"When mastering for the 45-RPM vinyl release, we were successfully able to bake the original master tapes and play them to cut the lacquer masters."

- Bruce Botnick, July 2012

  

  

  

UWAGA ! OFERTA SPECJALNA ! 

WYSYŁKA GRATIS !!!

CAŁKOWICIE DARMOWY KOSZT WYSYŁKI !

 Przeczytaj INFO pod cennikiem kosztów.