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Consciousness in
Modernist Fiction: A Stylistic
Study |
PRODUCT
DETAILS: Author: Violeta
Sotirova Language: English Publisher: Palgrave Macmillan Publication
Date: 10 May
2013 Dimensions: 22 x 14.2
x 2 cm Format: Hardcover Pages: 232 Condition: NEW Product_ID: ABCA5B5520
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This book explores stylistic techniques that
interweave different viewpoints in Modernist fiction.
Consciousness was a central concern of the Modernist
novel and there has been a strong critical interest in
the techniques of its presentation. Critics are aware of
the Modernist practice of refracting narratives through
the consciousness of numerous characters, but while
narratologists as well as stylisticians have studied the
linguistic indices of narrative viewpoint, the
linguistic mechanics of shifts across different
characters' minds or across character's and narrator's
voices have remained unexplored. This book offers the
first stylistic analysis of the linguistic evidence and
shows that the implications of such practices far exceed
the attempt to simply juxtapose different characters'
viewpoints and thereby interpret the narrative world
through different perspectives; rather than simply
co-existing in the tissue of the narrative, the
viewpoints of D.H. Lawrence's and Virginia Woolf's
characters are interconnected in dialogue that occurs at
the interstices of viewpoint shifts. This is significant
because it impacts on the very discourse of the novel
itself as a genre, i.e. its dialogicity. James Joyce's
rendering of consciousness intersects the voices of
character and narrator, and this in turn implicates the
reader in the construction of meaning. The
identification of dialogic techniques in the
presentation of consciousness serves to question a long
accepted belief that the novel of consciousness is a
novel of fragmentation and occlusion. Instead, the
dialogic Modernism identified here suggests a more
deliberate concern on the part of writers to engage
directly with the philosophical questions of self and
other that were being explored, in a very different
format, by Heidegger, Bergson and Buber.
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