CLASSICAL CHINESE PAINTING Chiny malarstwo

02-05-2014, 22:47
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THE SPIRIT OF CHINESE
We, Europeans, know less than very little, indeed, about the art oj the East, although — as euery historian oj culture or commentator oj art will admit — it would be dijjicult to explain our Continenfs artistic development in the last hundred years and morę other than by the sphere-broadening determined in the consciousness oj the creators oj beauty by the contact with the art oj Asia. This contact — be it only partial, or accounted jor by a hazard — seems to have its own dejinite intentions, its intelligence, and the jinalities that are implied in any intelligent design. It began to be known together with the art oj other non-European ethnical groups, taken late into account as cultural jactors on our globe. As a matter oj ja et, the merę inspeetion oj the jacts reveals to an unbiased art historian a succession, jar richer than one might think, oj essential discoveries jor jundamental inuestigation in the province oj plastic arts, conditioned by the meeting oj the West with Oriental Art. Consequently, we are rejerring exclusively to the transjormations which, morę numerous and rapid than in any other period oj art history, were registered sińce the appearance oj hnpressionism in painting — thus called as a historically determined trend. In other words, we have in view the art oj about 1863 (when Delacroix died) and later, when Edouard Manet, with Musie in the Tuileries Garden, with Pienie on the Grass and Olympia, caused another ąuarrel between Ancients and Moderns, not unlike the one between Classics and Romantics — which the new conjrontation, in the last resort, is prolonging in our own days (on another planej. In this period we cannoi ignore certain synchronisms, selj-eloquent at the merę consultation oj a synoptic-chronological table of cultural events.

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Tytuł, autor i wydawnictwo

Classical Chinese Painting

Meridiane Publishing House

Bucharest 1979

Spis treści:

Ilustracje:

LIST OF ILLUSTRATIONS
In the text:
CHI PAI-SHII-I
Self-portrait
KOUO MO-JO
a text from
The Crilical Assessment of Classical Works
LIANG K;AI
(early 13th. centur7)
Sixth Patriarch of Cłfan Sect
(fragment)
ink   on paper
Private Collection, Japan
WEN CHENG-MING
(1[zasłonięte]470-15)
Sepen Jtmiper Trees of Chin-Chuan
(detail)
ink on silk
Academy   of Arts,   Honolulu
SHIH-TJAO (Tao-Chi)
(active   between   1660 and   1710)
luindscape
KAO CH'1-PEI (17th.-18th. centuries) A. monk
CHA SHIH-PIAO
The Tree and the Travelhr Hamburg Museum
Plates
HAN, SUI AND T5ANG DYNASTIES (206 B.C. - A.D. 906)
1.   Watchman of a Han Tomb bas-relief engraving 50x115.5 cm.
Chengdu Museum, Sichuan province
2. ANONYMOUS
(2nd. or 3rd. century A.D.) Personages painted on a funeral plate painting in colour on hollow tiles H. 19.5 cm. Museum of Fine Arts, Boston
3. KU ICAI-CHIH - attributed (? 350-412)
The Njmph of the Rwer Lo (copy-12th.
century)
detail
China ink and colours on silk
Horizontal   scroll:   H.   24   cm.
Freer   Gallery   of Art,   Washington
4. ANONYMOUS ARTISTS FROM THE BEGINNING OF THE 6TH. CENTURY
One of the Seven Buddhas of the Past
fragment
Fresco   from grotto   257,   Tun-huang
5. YEN LI-PEN (7th. century) The 13 Emperors (copy) fragment
colours on silk
Horizontal scroll: 51x531   cm.
Museum of Fine Arts, Boston
6. CHANG   HSUAN - attributed (active   c.   713-742)
Ladies preparing newly-wopen silk (copy — 12th. century) colours on silk
Horizontal scroll: 37x145 cm. Museum of Fine Arts, Boston
7. WANG   WEI - manner   of (698-759)
Monntains in Snów colours on silk 69 x 36 cm. Beijing
8. LI SSHU-HSHUN - manner of (651-716)
l-.andscape with Btiilrlings
Freer Gallery of Art, Washington
9. HAN KAN - attributed (720-780)
Horse bound to a Stake
ink and slight colour
30x35 cm.
Sir Percival David   Collection,   London
10. KUAN-HSI (832-912) One of the Sixteen Lohans fragment
colours on silk
horizontal scroll:   127x67 cm.
National Museum, Tokyo
11. ANONYMOUS (9th.   century) Ucchitshma, the Killer of Daemons colours on canvas
79x30 cm.
British Museum, London
THE   FIVE DYNASTIES AND   THE SUNG DYNASTY (907—1279)
12. SHIH-K'0 - attributed (10th. century)
Monk   with   Tiger,   fragment
ink on paper
Vertical scroll: L, 64 cm.
13. HSU TAO-NING (10th. to llth. centuries)
Fishing in a Mountain Stream, detail
ink on silk
Horizontal scroll:. 48 X 209 cm.
W.   Rockhill   Nelson   Gallery   of   Art
and Atkins Museum, Kansas City, Mo.
14. FAN   ICUAN - attributed
(end   of   lOth.   century — beginning   of
llth.   century)
Win ter La/tdsrape
Museum of Fine Arts, Boston
15. ANONYMOUS
Riding through Snony Momitains Beijing
16. EMPEROR HUI-TSUNG (1[zasłonięte]082-11)
Two Birds on a Bamboo S/a/k,   fragment
Hoiizontal scroll: H. 31.2 cm.
J. M. Crawford jr. Collection, New York
17. ANONYMOUS
Tbe Scent of Kipę Apples Attracts Birds Colours on silk Beijing Museum
18. MI FEI   (1[zasłonięte]051-11) Łandscape (1102)
ink on paper
51x49   cm.
Private   Collection,   Japnn
19. LI   LUNG-MIEN - attributed (1[zasłonięte]040-11)
Morse from Khotan with Groom, fragment ink   and   slight   colours   on   paper Horizontal scroll: 30x182 cm.
20. KUO HSI - attributed (c. 1[zasłonięte]020-10)
Łandscape with Pagoda and Abodes
ink on silk
Vertical scroll: 179x51 cm.
21-22. OTEN YUNG
(middle of 13th. centu.ty) Drago/is among Wcwes (1244), 2 fragments
ink and slight colours on paper Horizontal scroll: 46x1096 cm. Museum of Fine Arts, Boston
23. ANONYMOUS, Northern Sung The Wbite Falcon
colours on silk
Vertkal scroll:   107.5x43.5 cm.
Art Museum of the   Socialist Republic
of Romania
24. ANONYMOUS Lotus F/ower colours on silk Diam. 26 cm. Beijing
25. ANONYMOUS
Dragon-shaped Boats Compete in Crossing a RJver
colours on silk Beijing
26. LIANG ICAI (early 13th. century) The Poet Li Tai Po (c. 700-762 A. D.) ink on paper
79x30 cm.
Priyate Collection, Tokyo
27. MU CH'1 (c. 1[zasłonięte]181-12) Shrike Perched on a Pine-tree ink on paper,
70x32 cm.
Matsudaira Collection, Tokyo
28. ANONYMOUS Orcbids
colours on silk Beijing
29.   SU SHIH - attributed (1[zasłonięte]036-11)
Bamboo
ink on paper
Private   Collection,   China
30. MA YUAN (active   c.   1190—1224) Scholar   Contemplating   the   Moon ink and faint colours on silk Hakone Art Museum
Miyagino   (Kanagava),   Japan
31. MA YUAN - attributed Łandscape with Willom and Bridge album-leaf in fan shape
ink and slight colours on silk
24x24 cm.
Museum of Fine Arts, Boston
32.   SU KUO (1072—1123)
A Bird on a Batuboo Stalk
ink on paper
47x29 cm.
Priyate Collection, Japan
33. HSIA KUEI (active c.   1180—1230) Summer Łandscape
ink on silk 25x32 cm. Iwasaki   Collection,   Tokyo
YUAN DYNASTY (1280—1368)
34. WU CHEN (1[zasłonięte]280-13) Fishermen, fragment
ink on paper
Horizontal scroll: H. 32.5 cm.
Freer Galłery of Art, Washington
35. WU CHEN - attributed Bamboo
ink on silk
album-leaf: 22.8x22.5 cm.
British Museum, London
36. CHTEN HSUAN (1235-c.l290) Insects and Lotus (Ear(y Antumn) ink and colours on paper
part of a hand   scroll: 26x120 cm Institute of Arts, Detroit
37. OWEN HSUAN
Wang   Hsi-cha Looking at the Geese,
fragment
ink and colours   on paper
Horizontal scroll: H. 23.2 cm.
CC. Wang Collection, New York
38. HUANG   KUNG-WANG (1[zasłonięte]269-13) The   Mountain   with   Five   Peaks   after   a Snomfall
Vertical scroll
39. WANG MENG (1[zasłonięte]309-13) Hermit in the Mountain
ink and colour on paper Taiwan
40. NI TSAN (1[zasłonięte]301-13) The Sage'5   Hut in Autiimn Vertical scroll:   135x34 cm. Beijing
41. KAO K'0-KUNG (1[zasłonięte]248-13) Łandscape   after Kain
ink on paper 122x81 cm. Beijing
26
42. CHAO MfiNG-FU (1[zasłonięte]254-13) Poet Tao Yiian Ming in the Mountains Private Collection, Japan
43. CHAO MfiNG-FU
Horses Crossing a Rwer, detail ink and colour on paper Horizontal   scroll:   17x87   cm. Freer Gallery of Ait, Washington
44. CHAO MfiNG-FU
Autumn in the Tsao and H/za Mountains
(1295), detail
ink and colours on paper
Horizontal scroll: H. 28.3 cm.
Taiwan
45. WANG MIEŃ (1[zasłonięte]335-14) Plum Blossoms
ink on paper 32x52 cm. Beijing
46. MA LIN
Liste/ting to the Wind in the Pines
colours on silk
Vertical scroll: H. 110.5 cm
Taiwan
47. KU AN (14th. century) Bamboos and Rocks (1350) ink on   silk
187x104 cm.
48. KUNG ICAI
(late   13th.   century)
The Emaciated Horse
ink on paper
30x56 cm.
Private Collection, Japan
49. CHAO MfiNG-FU copy by Kuan Tao-Sheng The   Staned   Horse
formerly Del Drago   Collection, N. Y.
MING DYNASTY (1368—1644)
50. TAI TSIN (active c. 1[zasłonięte]430-14) Fishermen   by the Riverside,   fragment ink and colours   on paper Horizontal scroll: H. 46 cm.
Freer Gallery of Art, Washington
51. WU WEI (1[zasłonięte]459-15) River Landscape
ink on paper album-leaf:   37x69   cm. National Museum, Stockholm
52. SHfiN CHOU (1[zasłonięte]427-15) The Eastern District
53.   SHfiN CHOU Reading in Aut urn n
ink with slight colours   on paper
album-leaf: 28x38 cm.
Beijing
54. WEN CHENG-MING - attributed (1[zasłonięte]470-15)
L&ndscape
colours on silk
Horizontal scroll: 196x114 cm.
Museum of Art Collections, Bucharest
55. TUNG CH'1-CH'ANG (1[zasłonięte]555-16) l^andscape (1625)
ink on   paper
CA.   Drenowatz   Collection,   Ziirich
56. TANG YIN (1[zasłonięte]470-15) Woman Playing the Pipę colours on silk
Nanjin Museum
57. ANONYMOUS
(16th. - 17th. centuries?)
Ni/te Personages near a W a ter fali
colours   on   canvas
Vertical scroll: 142x73.5 cm.
Art Museum of the   Socialist Republic
of Romania
58. CHITU YING (1[zasłonięte]522-15) Spring Morning in a Han Palące, fragment
colours on silk
Horizontal scroll: H. 30.6 cm.
Taiwan
59. CHFIU YING
A Spring-night Feast in the Orchard of
Peaches and Pliims
fragment
colours on silk
Beijing
60. HSU WEI (1[zasłonięte]529-15) Bamboo, fragment
ink on paper,
Horizontal scroll: H. 32.5 cm.
Freer   Gallery   of Art,   Washington
61.   SHIH-TAO (TAO-CHI) (active c. 1[zasłonięte]660-17) and WANG YUAN-CH'1 (1[zasłonięte]642-17) Orchids and Bamboos
ink on paper:   134x58 cm.
62. WANG SHI-MINH (1[zasłonięte]592-16) Landscape in the style of Chao Men^-fu (1670)
ink and colours on paper
album-leaf: 27x37 cm.
CC. Wang Collection, New York
63. ANONYMOUS (16th.- 17th. centuries) Palaces on the   Waterside,   detail colours on silk
Horizontal scroll: 162x68 cm.
Art Museum of the   Socialist Republic
of Romania
64. HU CHENG-YEN (1582—1672) Cherry Tnńg
engraving from the ltTen Bamboo Stuclio;)
65. LAN YING (1[zasłonięte]585-16)
Seeking Poetry in the Autumn Scenery after Chao Meng-fu album   leaf:    36x34   cm. Private collection, Japan
66. ANONYMOUS Actors
colours on paper
Library of the Academy of the Socialist
Republic of Romania
Engrayings Cabinet, Bucharest
CłTING DYNASTY
(1644—1912)
1717)
67. WANG HUI (1632 Winter Landscape Guimet   Museum,   Paris
68. WANG HUI
Rirer Scenery with Old Trees
ink on paper
Yang Yin-pei Collection,
Beijing
69. HUNG YEN Landscape colours on fan
F. Yannotti Collection, Lugano
70. WANG CHIEN (1[zasłonięte]598-16) Landscape
F. Yannotti Collection, Lugano
71. WU LI (1[zasłonięte]632-17) Laudscape
T.   P.   Dubosc Collection, Lugano
72. ANONYMOUS (18th. century) The 18 Sages
fragment
colours on silk
Horizontal scroll: 31x256 cm.
Art Museum of the   Socialist Republic
of Romania
73. MEI OTING (17th. century) Landscape
ink and colours on paper
album-leaf: 28.6x43.8 cm.
R.   B.   Hobart   Collection,   Cambridge,
Mass.
74. PA-TA SHAN-JEN (1[zasłonięte]626-17) Flower
ink on paper
album-leaf: 24.5x20 cm.
Neaga Graur Collection, Bucharest
75. PA-TA SHAN-JEN Two Birds
ink on   paper
album-leaf: 31.7x26.3 cm.
IC Summitomó Collection, Japan
76. ANONYMOUS Three Personages colours on silk 30x40 cm.
Museum of Art Collections, Bucharest
77. CHIN NUNG (1[zasłonięte]687-17)
Young Man Looking at a Pool with Lotus
Flowers
colours on silk: 28x24 cm.
H.C, Weng Collection, New York
78. WU CHUN-CHING (1[zasłonięte]844-19) Flowers and Fruit for New YeaSs Day ink and colours on paper
Beijing
79. NAN LING CHINSEN (18th. century) A-iiimals and Birds
colours on paper
Part of a horizontal scroll: 29x502 cm. Art Museum of the Socialist Republic of Romania
80. TAO-CHI (c. 1[zasłonięte]630-17) Huts   among Kocks
ink on paper
album-leaf
Beijing
81. KAO CH'1-P'EI attributed (17- 18th. centuries) Landscape
ink and touches of colour on paper album-leaf: 27x33 cm. Museum of Asian Art, Amsterdam
82. CH'1 PAI-SHIH (1[zasłonięte]863-19) Withered Lotus Flower
ink and colours on silk paper album-leaf: 34x34.5 cm. National Gallery, Prague

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