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Maria Joao Pires

Royal Philharmonic Orchestra  Andre Previn

Issued in 1994, this recording predates by two years her famous performance of Chopin's Nocturnes, but is equally rewarding. Both Concerto in F minor and 24 Preludes op.28 feature the highest pianistic eloquence and in her interpretation are fabulously sensitive, lyrical, dreamy, and full of passion. This is Chopin with perception of tenderness and drama of human existence. The recording is crystal clear. The CD won the "Grand Prix du Disque Frédéric Chopin" Warsaw Competition in 1995.

his performance of Pires is absolutely stunning. Her expressionism is romanticism personified in every bar. The second piano concerto, in particular, is worthy alone of such praise for Pires plays as if she were channeling Chopin himself. Not merely is the composer reborn in this performance but one gains a sense of the entire romantic movement itself. Specifically, there is a lilting unease and a daunting sense of the vague as if Pires were approaching the listener with a kiss only to draw away at the most magnificent moment of the soul's awakening. A novice to classical music may not percieve the sublte nuances of romanticism's overtones and undertones. For this reason, the preludes may sound "boring." I have to admit I don't even like them. But the orchestral flavor of the concerto is cosmopolitan enough, and the theme simple enough, that most anyone can appreciate this beautiful recording.

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