Disc: 1

1. Biel (Kasper T. Toeplitz)

2. Chamber Symphony Number 2 [Extract] (David Shea)

3. Noirs (Jerome Combier)

4. Casanova (Giovammi Sollima)

5. Danses Mecaniques (Gerard Hourbette)

Disc: 2

1. T (Jean Luc Fafchamps)

2. Elargissement de Ciel (Jean-Christophe Feldhandler)

3. Flowing Down to Slow (Fausto Romitelli)

4. Khufu's Serpent IV (Horatio Radulescu)

Disc: 3

1. ...en Bordure d'Espaces... (Gualtiero Dazzi)

2. Fable Ineffable (Jean-Paul Dessy)

3. DSCP (Atau Tanaka)

4. Opus 1 (Ryoji Ikeda)

Each piece on this compilation explores the essential framework of today's creators, pushing boundaries and revealing the unexpected results from some of the greatest names in today's electronic world as expressed by classical musicians. "Opus #1" by Ryoji Ikeda is the first piece that he wrote for non-electronic instruments -- and paradoxally one of his most accomplished works. Atau Tanaka's composition is for chamber orchestra, Theremin and infrared. Horatio Radulescu, the founder of the Spectral technique of composition is, for sure, one of the greatest composers alive, this is his last Opus (#64). David Shea is well-known by his many collaborations with Sub Rosa and Tzadik, and Jean Luc Fafchamps is also a Sub Rosa favorite. Jean-Paul Dessy questions mermaid's voices, Kasper T. Toeplitz organizes a Glenn Branca revival, and Jerome Combier tries to impart black light to music, while Giovammi Sollima mixes baroque chamber orchestra and techno rhythm. Gerard Hourbette continues Art Zoyd's expressionist legend, Jean-Christophe Feldhandler organizes a space in constant change, Fausto Romitelli matches a string quartet with a single mixer, and finally, Gualtiero Dazzi creates a tragic cinematographic space. 13 compositions. 13 unpublished works. 13 ways to combine electronic music and classical instruments.

Wydawca: Sub Rosa 2006

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