AMEBIX No Sanctuary The Spiderleg Rec LP+EP FOLIA!

20-01-2012, 19:06
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Cena kup teraz: 58 zł

Użytkownik hcpunk

numer aukcji: 2016643123

Miejscowość Górny Śląsk

Koniec: 23-01-2012, 10:24

AMEBIX "No Sanctuary: The Spiderleg Recordings" LP+EP

In the wake of Crass, the UK birthed a large scene of anarcho-punk bands such as Subhumans, Rudimentary Peni, Flux Of Pink Indians, and, perhaps the best known of all, Amebix. Their seminal Arise album, originally released by Alternative Tentacles in 1985, remains one of the genre's ultimate statements, featuring elements of Black Sabbath, Motoerhead, and Venom infused with a healthy dose of early punk's gutter grime and Crass' confrontational imagery.

Amebix became an archetype for the scene, an inspiration to hundreds of bands worldwide including Sepultura (who even had their own album called Arise) and Neurosis, among others. Prior to Arise, Amebix released their early material on Flux Of Pink Indians' Spiderleg imprint. These recordings came in extremely limited runs, and were bootlegged to death in the ensuing years, while the original master tapes languished in lockdown at Southern Studios. The band finally got their tapes back nearly 25 years later, and now the songs are collected officially for the first time.

No Sanctuary: The Spiderleg Recordings gathers the sought-after cult releases No Sanctuary, Who's The Enemy, and Winter. Some of these tunes--such as "Winter" and "No Gods, No Masters"--are undisputed classics in the punk world. Carefully remastered by Jello Biafra and George Horn, these long-worshipped and revered recordings are finally available again from Alternative Tentacles on both CD (in digipak with booklet) and LP with bonus 7-inch. Tons of original artwork was resurrected into a beautifully designed package by long-time Alternative Tentacles collaborator and UK native John Yates.

When Crass first spawned the anarcho-punk movement in the ‘70s, I doubt anyone had any idea how far-reaching their ideology would reach into punk music. In their wake, Amebix were one of the first to take their ideology, and blend it with their own sound, which owes as much to early metal like Motorhead as it does to Crass’ noise. In many ways, they were the first crust punk band.

The early days of Amebix is comprised of three EPs, spanning 1[zasłonięte]982-19, and recorded on Spiderleg Records, a label run by Flux of Pink Indians, another band spawned by Crass (who in fact started on the Crass Records label). These three EPs - No Sanctuary, Who’s The Enemy and Winter - were run in limited runs, becoming very rare before being repeatedly bootlegged on lower-quality releases over the years. As such, they became legendary.

Now, the three EPs are once again seeing the light of day, having been remastered by Jello Biafra and released on Alternative Tentacles as No Sanctuary – The Spiderleg Recordings. Once again, the label has done us all a public service.

The album’s status as a historical and cultural record aside, it’s a really powerful and dark piece of music. Hearing remastered recordings of these seminal works of crust punk reveals how innovative and influential this band would become. Simply by espousing Crass’ anarchist beliefs and marrying them up with metal influences like Black Sabbath and a large amount of early Killing Joke, Amebix has come up with albums that are the aural equivalent of being punched in the gut repeatedly – but very, veeeeery slowly.

The band isn’t averse to speeding things up; classic punk tunes like “No Gods No Masters” (Listen/Download) drive forward at a frenzied pace, but Amebix was always at their best at their heaviest, sludgiest and weirdest. “Belief” is a crusty freight train that has been sitting at the bottom of a lake, until the night it decided to tear of the rust and slowly roll out and take out a neighborhood (Listen/Download), and “The Church Is For Sinners” (Listen/Download) and “Control” (Listen/Download) are just drudgy with an infectious tribal beat underneath that, like old Killing Joke, might be hookier than the band ever anticipated.

There are albums that one should own because they’re historically and influentially significant, and albums one should own simply because they’re good. With this Alternative Tentacles remaster, the label has released a record that touches both sides. It’s dark and heavy, and very indicative of all of the bands – good and bad – that the Amebix would influence into existence.

If you are at all a fan of contemporary crust punk and you’d like to learn more about where it came from, you really have two choices: you can either go to your local library and look up a book that probably doesn’t exist, or you can pick up No Sanctuary – The Spiderleg Recordings.

I think you already know which choice is the most proper.

UTWORY

1. Battery Humans
2. Control
3. Progress?
4. Sanctuary
5. The Church Is For Sinners
6. Sunshine Ward

7. Moscow Madness
8. Carnage
9. Curfew
10. Belief
11. No Gods No Masters

BONUS EP:
12. Winter
13. Beginning Of The End

I jeszcze znaleziona w necie recenzja płyty:
"I cannot get enough of this historical, dark, heavy music. No Gods No Masters!"
- Maximumrocknroll, from a Top 10 of 2008 list

"When Crass first spawned the anarcho-punk movement in the '70s, I doubt anyone had any idea how far-reaching their ideology would reach into punk music. In their wake, Amebix were one of the first to take their ideology, and blend it with their own sound, which owes as much to early metal like Motorhead as it does to Crass' noise. In many ways, they were the first crust punk band.
The early days of Amebix is comprised of three EPs, spanning 1[zasłonięte]982-19, and recorded on Spiderleg Records, a label run by Flux of Pink Indians, another band spawned by Crass (who in fact started on the Crass Records label). These three EPs - No Sanctuary, Who's The Enemy and Winter - were run in limited runs, becoming very rare before being repeatedly bootlegged on lower-quality releases over the years. As such, they became legendary. Now, the three EPs are once again seeing the light of day, having been remastered by Jello Biafra and released on Alternative Tentacles as No Sanctuary � The Spiderleg Recordings. Once again, the label has done us all a public service.
The album's status as a historical and cultural record aside, it's a really powerful and dark piece of music. Hearing remastered recordings of these seminal works of crust punk reveals how innovative and influential this band would become. Simply by espousing Crass' anarchist beliefs and marrying them up with metal influences like Black Sabbath and a large amount of early Killing Joke, Amebix has come up with albums that are the aural equivalent of being punched in the gut repeatedly � but very, veeeeery slowly.
The band isn't averse to speeding things up; classic punk tunes like "No Gods No Masters" drive forward at a frenzied pace, but Amebix was always at their best at their heaviest, sludgiest and weirdest. "Belief" is a crusty freight train that has been sitting at the bottom of a lake, until the night it decided to tear of the rust and slowly roll out and take out a neighborhood, and "The Church Is For Sinners" and "Control" are just drudgy with an infectious tribal beat underneath that, like old Killing Joke, might be hookier than the band ever anticipated.
There are albums that one should own because they're historically and influentially significant, and albums one should own simply because they're good. With this Alternative Tentacles remaster, the label has released a record that touches both sides. It's dark and heavy, and very indicative of all of the bands � good and bad � that the Amebix would influence into existence. If you are at all a fan of contemporary crust punk and you'd like to learn more about where it came from, you really have two choices: you can either go to your local library and look up a book that probably doesn't exist, or you can pick up No Sanctuary � The Spiderleg Recordings. I think you already know which choice is the most proper."- about.com

Ciekawie napisaną (po polsku) historie zespołu znajdziesz tutaj:
http://pablopunkart.blogspot.com/2009/01/no-gods-no-masters.html

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