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SATSUMA TAKITO NACZYNIE WAZON DO IKEBANY SMOK LWY LATA 20/30 XX w.
Bardzo oryginalne naczynie do układania ikebany – pojemnik na wodę wsparty na trzech nóżkach –z głowami niezadowolonych demonów… na brzuścu piękna dekoracja – nakładana emalia – smok – wokół kołnierza kropeczki emalii- w najcenniejszych naczyniach w tym miejscu były perły… i lwy shishi – straznicy przed złymi mocami i demonami.
Za wyjątkiem przetrać złocenia lwów- stan doskonały- bardzo ciekawa przedwojenna wytwórnia- Takito – produkująca bardzo ciekawe imitacje porcelany Satsuma z Kyoto.
Niezwykle rzadka i oryginalna rzecz. Polecam!!!
Wysokość 13 cm
Średnica 9 cm
Od lwa do lwa 13,3 cm
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TAKITO COMPANY
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The Takito company 1[zasłonięte]880-19, is mostly known as one of those specializing on the Lustre ware type of decoration originally developed by the Noritake company but pieces with moriage decoration in Moriage a'la Kyoto Satsuma on porcelain, are also common. Between 1891 to 1921 the products should be marked 'Nippon'. Marks later than 1945 usually comes with the addition of "Made in Occupied Japan ".
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849. Mark: "T T" in two rectangles. Date: probably late 20s to early 1930s when this type of ware was mostly in vougue.
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KOMA-INU 狛犬 and KARA-SHISHI 唐獅子
This mythical beast was probably introduced to Japan from China via Korean in the 7th or 8th century AD, during the same period as Buddhism’s transmission to Japan, for the Japanese shishi combines elements of both the Korean "Koma-inu" (Korean dog) and Chinese "Kara-shishi" (Chinese lion). One prominent theory holds that the shishi derives from the Chinese Foo Dog (see LEARM MORE below for more). Lions, by the way, are not indigenous to Japan, China or Korea, and supposedly entered those nations in the form of imported art and sculpture, with the earliest traces of the animal appearing in China’s Han Dynasty (about 208 BC to 221 AD).
Says JAANUS: KOMAINU 狛犬. “Literally 'Korean dog.' A pair of lion-like guardian figures placed at each side of a shrine or temple entrance; believed to ward off evil spirits. Thought to have been brought to Japan from China via Korea, their name is derived from Koma 高麗, the Japanese term for the Korean kingdom of Koguryo 高句麗. In the early Heian period (9c) the two statues were clearly distinguished: the figure on the left, called shishi 獅子 (lion), resembled a lion with its mouth open (agyou 阿形); the figure on the right, called komainu 狛犬 (Korean dog), resembled a dog with its mouth closed (ungyou 吽形), and sometimes had a horn on its head. Gradually the term komainu came to be used for both statues, and their shapes became indistinguishable except for the open and closed mouths (a-un 阿吽). In the Heian period (9-12c) komainu were used as weights or doorstops for curtains and screens in the Seiryouden 清涼殿, Kyoto Gosho 京都御所. Other famous examples include a pair of painted wooden komainu (10-11c) at Yakushiji 薬師寺, Nara; 14 painted and lacquered wooden figures at Itsukushima Jinja 厳島神社, (12-14c) Hiroshima prefecture, and the stone figures inside the south gate of Toudaiji 東大寺, Nara, made by the 12c Chinese sculptor Chinnakei 陳和卿.” <end JAANUS quote>
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