KSIĘGARNIA ARTYSTYCZNA BOOKOFF | UL. ŁUCKA 14 | 00-845 WARSZAWA | TEL. (22)[zasłonięte]253 62 | KOM. 503 [zasłonięte] 126

Peter Doig

Dane książki
ISBN	978-[zasłonięte][zasłonięte]48450
Oprawa	Oprawa miękka
Ilość stron	160
Wydawnictwo	Phaidon
Język	Angielski

Cena: 139.00 PLN (wystawiamy faktury vat)

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Tel. (22)[zasłonięte]253 62 lub 503 [zasłonięte] 126

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Książka do wglądu w Księgarni Muzeum Bookoff.

- Peter Doig (b.1959) is a pioneering artist whose work has charted a new direction in contemporary painting
- Doig's work has never been presented in a monograph of this scope
- His paintings depict atmospheric landscapes, sometimes glimpsed beneath washes of hallucinogenic colour, at other times through nets of thickly patterned marks
- Combining found images (including film stills, album covers and newspaper clippings) with visions of his Canadian childhood and landscapes from his studio in Trinidad, Doig has created a painted world that is uniquely his own
- Educated in London, his home for nearly twenty years, Doig continues to influence the latest generation of British painters



Whether painting a mysterious bearded figure floating on a flat wash of blue or a winter landscape glimpsed through a thick web of branches, Peter Doig harnesses the materiality of his medium to create what he calls ‘abstractions of memories’, distilling recollected sensations into moments of pure sentience, like scenes in a series of mysterious narratives. In Gasthof zur Muldentalsperre (2000-2) two costumed figures stand guard at a low stone wall while behind them a reservoir reflects a twinkling starry sky. The young man bundled up against the cold in Blotter (1993) contemplates his reflection in a frozen pond, while in Red Boat (Imaginary Boys) (2004) six men in white shirts navigate upstream through a dense tropical landscape.

Doig’s work has been exhibited at the world’s top museums, including The Museum of Modern Art in New York, the Centre Pompidou in Paris and the National Gallery of Canada in Ottawa, and has been selected for contemporary art’s most important international exhibitions, such as the SITE Santa Fe Biennial (2006), the Tate Triennial (2003 and 2006) and the Venice Biennale (2003). Although his work has had an enormous impact on contemporary painting, paving the way for a whole generation of idiosyncratic figurative painters, his painted worlds are without parallel. Raised in Canada, based in London for two decades and now living in Trinidad, Doig has tallied a wide range of references, not only geographic (from French modernist architecture to the ski slopes of Quebec) but also artistic (from Ernst Kirchner to Philip Guston) and musical (from punk to calypso). Sometimes these references lurk in plain sight – Figure in Mountain Landscape (1997-8) is based on a photograph of Group of Seven painter Franklin Carmichael – but most often they lie deep below the churning surface of the canvas.

In the Interview Kitty Scott asks the artist about his shifting sense of place and the way it continues to shape his work. In the Survey Adrian Searle considers how the paradoxical union of highly charged technique and muted subject matter lend the artist’s paintings their unique ‘emotional weather’. Catherine Grenier’s Focus centres on the painting 100 Years Ago, examining its movement along axes of time and place, both historical and imaginary. In the Artist’s Choice, Hannes Schneider & Arnold Fanck’s text on skiing recalls the artist’s longtime fascination with the sport while evoking the grace and physicality of his painting. Artist’s Writings include a 2001 interview featuring questions from a range of artists, curators and critics; an appreciation of the work of Pierre Bonnard; and the artist’s ten favourite ‘house painters’.