Area 1 

Przegląd światowego projektowania graficznego

wybór i redakcja Anthona Beeke, Partnera w Pentagram, znanego projektanta i autora publikacji o designie. Członek AGI i profesor Rhode Island School of Design. Fernando Gutierrez (UK/Spain).

Dane książki

ISBN 978-[zasłonięte][zasłonięte]48451

Oprawa Oprawa miękka ze skrzydełkami

Ilość stron 448

Wydawnictwo Phaidon

Język Angielski

Z oryginalnego opisu:

Taken for granted for a long time, graphic design has over the past decades crept more and more into the consciousness of the general public. And rightly so: in our increasingly visual culture, it is an omnipresent form of creativity, something we are all influenced by whether we like it or not. Every logo, every poster, every CD cover confronts us with graphic design in some shape or form. It is the basis of all visual communication and arguably the most pervasive creative discipline of our times. Essentially an exhibition in a book, this title presents the 100 graphic designers arranged in an A to Z order. Each of the designers is featured over two double-page spreads, which are extensively illustrated with examples of their work. Alongside these examples, a 400 word text by the selecting curator explains his/her choice and illuminates the depicted work. The reproductions are further complemented with extended captions and biographical information on the designer. The book is characterised by the enormous diversity of the 100 graphic designers. Showcasing talents from Minneapolis to Macao, Area opens the door to the work of emerging designers practising in more than 25 countries around the world. It reflects a unique multitude of styles, ideas, and influences: an endless range of creativity from the playful, digital graphics of Eboy in Berlin, to the regional aesthetics of Chaz Mavyanne Davies of Zimbabwe or Ahn Sang-Soo of Korea; from the political awareness of Iran's Reza Abedini, to the more sober and traditional designs of the Italy's Leonardo Sonnoli. Beyond this extensive survey of contemporary graphic design, the 10 curators were also asked to choose what they consider a design 'classic,' i.e. a piece of printed design from any era that is of particular significance to them. These 'classic' pieces are showcased in the shorter, second part of the book, each accompanied by a brief text explaining how the 'classic' piece fits into the selecting curator's general view and philosophy of graphic design. Despite the large number of already existing titles dedicated to graphic design, Area promises to be unique in its exciting design, its clear and interesting concept, its truly global scope, and its fresh and unconventional content.

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